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[ Don't Kill Hollywood 12vidéos de Image Contre Nature - 74mn ]
Lices - 30 juin, 17h30
Un retour en 12 vidéos sur quatre années du festival. Le plaisir de revoir, en s’inspirant cette fois, des thèmes développés dans chacun des films. Contrairement au titre utilisé pour repérer les différents programmes de sélection, dont le caractère abstrait n’atteste que de la nécessité d’assembler des films de façon cohérente, Don’t kill Hollywood est le fruit d’un jeu d’association. La mémoire de deux lectures, James Ellroy et Cormac McCarthy, se greffe au choix des images et à leur enchaînement. Les corps sont tour à tour pénétrés, tués, découpés, trahis, morts; ou bien engagés dans la répétition du mouvement et de l’image. Ils sont souvent féminins. On n’y coupe pas.

sadescription Fig.4
5mn   color   stéréo   2004   France
de Augustin Gimel
Bodies and movements recomposed starting from pornographic images taken on Internet. Sexual Golem. The act projected and worked with another image, that of a body made up of thousand bodies to the infinite possibilities.
autoproduction
autodistribution
Festival 2004 [ pr. movement ]
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sadescription Par delà le bien et le mal
8mn10   color   stéréo   2002   France
de Suzel Roche
This video is the account made by images of the moment I understand theses words of Nietzsche. I was shooting in a slaughter-house, featuring the muslim rituel. It was hard and natural, it was complexed to understand but in the same time I try to understand this I began to understand me. And by the strength of random, I fell on a little village, near the slaughter-house whose name is mine.
autoproduction
autodistribution
Festival 2003 [ pr. space ]
clip


sadescription Sans titre
3mn30   b/w   stéréo   2004   France
de Céline Clottes
This video Installation designed to ravel in loop, tries to expose a time which passes. The aesthetic simplicity of the image, the tiny action are there as well as possible to expose time in its unfolding more believed. Here it is the daily newspaper which is let see. The loop made up of 112 numerical photographs, represents somebody who passes from the position upright, of a half-turn then of one return to the position lying. Horizontal representation of a time dial, one day standard in its destitution...
autoproduction
autodistribution
Festival 2004 [ pr. movement ]
clip


sadescription 2/3 Water
3mn57   color   stéréo   2000   Australia
de Nicole Neveu
... the strange and visceral reality of physicality, a torsos internal organ tunnel, kinetics of hands as lovers, serving love offerings... 2/3 Water.
autoproduction
autodistribution
Festival 2001 [ pr. movement ]
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sadescription Amok
4mn   b/w   mono   2002   France
de Christophe Martin
Recutting of a scene of "Amok" by Fassbinder.
autoproduction
autodistribution
Festival 2004 [ pr. movement ]
clip


sadescription Two or three things I know about Ohio
2mn16   color   mono   2002   USA
de Dan Boord & Luis Valdovino
"Two or three things I know about Ohio" is a charming parody of travel documentary and a quick funny American satire that pays homage to this Great Lakes state. Ohio is known for many things: the Amish, 19th Century farms, humidity, and small towns. Other little knows attractions include an annual parade of twins from all over the world, a live bait dispenser machine that competes with Pepsi for your dollar, the Longaberger Company World Headquaters...
autoproduction
autodistribution
Festival 2004 [ pr. space ]
clip


sadescription Saturation
8mn   color   stéréo   2000   USA
de Kara Hearn
Kara Hearn explores the intersection of body and mind with technology and information overload by documenting the "natural" and personal lanscape of urban dreams and reality.
autoproduction
autodistribution
Festival 2001 [ pr. time ]
clip


sadescription Le 2 or seiryoku zenyo
2mn40   color   stéréo   2003   Switzerland
de Chantal Romani
Two girls prepare for their fight. One instant instants - concentration - imagination - action. Seiryoku zenyo - the optimal use of the power.
autoproduction
autodistribution
Festival 2004 [ pr. space ]
clip


sadescription Missing marion
2mn   b/w   mono   2003   China
de Yuk-Yiu IP
"Missing Marion" is an imaginary murder of the cinematic presence by its synthetic double. By removing the caracter from Hichcock’s all-too-memorable "shower scene", the figure is eclipsed by its own shadow generated by digital algorithms. The interplay between absence and presence turns this shower into something at once familiar and foreign, quiet and deadly.
autoproduction
autodistribution
Festival 2004
clip


sadescription pater noster
3mn40   color   stéréo   2001   Germany
de Steph Ketelhut
Four vertical bands with the tone cold and intercalated heats, consisted of labels, appear and disappear in shifted rates/rhythms. One follows the movement twice ascending and twice descendant of open elevators and the to and from of their users.
autoproduction
autodistribution
Festival 2001 [ pr. perception ]
clip


sadescription Les Scatophages
22mn   color   mono   2002   France
de Sylvain Frebourg
"Les scatophages" is a ramble across decadent countrysides.
autoproduction
autodistribution
Festival 2002 [ pr. time ]
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sadescription Projet Jaune Cadmium
35mn   color   stéréo   2002   France
de Luc Vancheri & Sandrik Dmitrieff
It's based on the idea of, on one hand, reading the flashing epiphanies of commercials as a possibility or a beginning to an history of the human body and movies forms. And on the other hand, reconsidering the ability of cinematographic pictures to describe, analyse, and develop theories on the reality and themselves.
autoproduction
autodistribution
Festival 2003 [ pr. sense ]
clip