PROGRAM TIME 2006
Lices -
June 29, 19h & June 30, 17h30
7
films - 78mn
Para matar el tiempo1mn color stéréo 2005 Franceby Anthony RousseauHere is played during a ballet, mixed violence and beauty, the life and death...self-productionself-distributionclip Memento Mori11mn b/w sil 2006 Greeceby Nikos Veliotis"Memento Mori" completes a trilogy of short videos (the two previous being imago & obJet). "Memento Mori"’s material consists entirely of post-mortem photographs of children found on the internet. Post – mortem photography was a common practice, especially with children, in both Europe and America during the 19th and early 20th century. It is also referred to as "memento mori" photography. The video reflects the initial shock and grief experienced when confronted with one’s wounded inner child, one’s dark, frozen layers of pain and loss. It proceeds formally through the use of a simple kind of animation: multiple layers of still images in a varying speed pendulum motion. The animation generates a perpetual emergence figures. The video is silent; the environmental soundtrack of each specific screening is defined as the 'audio' of "Memento Mori.self-productionself-distributionclip Holiday22mn color & b/w stéréo 2005 Franceby Agathe Dreyfus & Aurélia BarbetAs a filmic essay, Holiday takes the shape of a diary, a filmed journey for two voices. Tuesday April the 20th. Grasse. Le clos, paradise. In a while we’re going to New York. It’s the first time I go across the Atlantic. I am going accross the Atlantic with an angel…self-productionself-distributionclip Magic Mountain3mn35 color stéréo 2005 USAby Sandra PowersMy films incorporate early film and painterly aesthetics, resulting in surrealistic imagery that is derived from my dreams and imagination. They exist in a theatre setting that is starkly visual, revealing a poetic and sometimes macabre world. I hand - crank my camera and hand - splice my films. Each film has my fingerprints all over it. To express my cinematic ideas further, I paint and optically print the film. Once the film’s structure is all the set, I reprocess the film using a variety of digital compositing and effects software. My artistic choices are intuitive, personnal and decisive. In both my films, "Magic Mountain" & "Las Hijas De Endor", audio is used to portray emotion...self-productionself-distributionclip Variations10mn40 color stéréo 2004 Colombiaby Inés Wickmann A meditation on shadow and light, on shapes and their movement, based on an observation of architectural spaces, sites and elements. self-productionself-distributionclip Elaine Drive6mn color stéréo 2004 USAby Robbie Land"Elaine Drive" is an abstract exercise, which explores my anxiety involving the concept of infinity. This notion has haunted me since early child-hood growing up on "Elaine Drive" and it’s surrounding neighborhood. The impression developped in this environment help form my perceptions of this existential predicament. The images of "Elaine Drive" are organized to flit much like a stream of conscious motion in order to summon the experiences felt when dealing with this boggled idea of infinity.self-productionself-distributionclip Brain Damaged21mn21 color stéréo 2005 Argentinaby Gabriel OteroThe sound draws the letter, that protects the word in the language. The dialogue appeases the violence and fertilizes the land. The city erects its civilization againts the dersert. It exhibits without modesty its power : houses, schools hospitals, libraries. The spatial carrer, the nuclear medicine and was it digital. The man and its reason codify and they build : the passion, the expansion, the ambition, the concentration, the urbanization, the contamination, the tension, the friction, the explosion,... the word conflagration...self-productionself-distributionclip