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SELECTION 2001
(b)éret volatile -
between July 3 and July 6
selection 2001 / title :::: 21 films, 21 authors, 6 countries
Australia
/
Brazil
/
Canada
/
France
/
Germany
/
USA
/
-26°C
2mn21 color stéréo 1999
Australia
by Nicole
Neveu
The subconscious mind nurtures evolving layers of communication in the language of movement... in visual seeds and sensual recollections... in the filtering, merging and clarity of memory and meaning... in transition...
self-production
self-distribution
[ pr. movement ]
clip
2/3 Water
3mn57 color stéréo 2000
Australia
by Nicole
Neveu
... the strange and visceral reality of physicality, a torsos internal organ tunnel, kinetics of hands as lovers, serving love offerings... 2/3 Water.
self-production
self-distribution
[ pr. movement ]
clip
A Refutation of Time
8mn16 color mono 1999
USA
by Dan
Boord
& Greg
Durbin
& Luis
Valdovino
"Using the device of an extraordinary lengthy piece of anonymous e-mail received by the narrator, the tape describes the kind of collapse of time and space and serendipitous chains of meaning that can occur using search vehicles on the internet. Juxtaposing various personalities including Will Rogers and Jorge Luis Borges; different geographical locations such as stops along Route 66, coincidence becomesmetaphor takes on the ring of truth." Steve Said, Curator, The Pacific Film Archives, Berkeley, California
self-production
self-distribution
[ pr. time ]
clip
Chaostrophobie
5mn40 color mono 1999
France
by Jean-Paul
D'Alife
"Chaostrophobie" is an experimental film having as a theme the subconscious. Each image reflects psychoanalytical thesis. The whole can be perceived as a phantasm.
self-production
self-distribution
[ pr. space ]
clip
Dark light
4mn55 color stéréo 2000
France
by François
Paris
A video work issued from photography and performance, which proposes a meditative look at landscapes, environments and objects.
self-production
self-distribution
[ pr. movement ]
clip
Dieu est en réparation
15mn color mono 2001
France
by Sylvain
Frebourg
"Dieu est en réparation"... is my first realization video. It acts upon an agressive confrontation between image and sound. The image haunted by the reflection; this parasite is the visual equivalent of feedback from sound. Their presence in the heart of the film represents the limit; it's when the image and the sound contain that which justifies their existence. This film is therefore the research of theobscurity behind each image and the silence behind each sound. This justifies the film beginning and ending in a cemetery.
self-production
self-distribution
[ pr. time ]
clip
Fermons les yeux pour voir
16mn color mono 1999
France
by Paul
Anders
"If one can pass the five fingers through, it is a grid, if not a door. Let us close the eyes to see." James Joyce, Ulysse
self-production
self-distribution
[ pr. perception ]
clip
Géométrie de l'intuition
3mn color stéréo 2000
France
by Stéphane
Trois Carrés
The images are computer generated. Conceived as digital paintings, they are the elements of research around theories of space. (Topologies, non-Euclidean space).
self-production
self-distribution
[ pr. space ]
clip
Hirondelle 1
7mn color mono 1999
France
by Yann
Magnan
Edited images filmed in Super 8, some are not mine, but those of a friend-amateur-sensitive, dead beyond a bridge. These precedent images I wanted to do something with and mix with mine for the emotion of life.
self-production
self-distribution
[ pr. time ]
clip
Hirondelle 2
6mn color mono 1999
France
by Yann
Magnan
"Hirondelle 2" is more rigid in its structure, it's a vague stroll in Geneva.
self-production
self-distribution
[ pr. time ]
clip
Je ne bouge plus d'ici
1mn30 color stéréo 2000
Canada
by Claudette
Lemay
No, I've made my resolution : I'm not moving from here! I'll stay here until I am someone...
self-production
self-distribution
[ pr. movement ]
clip
La vie mode d'emploi
12mn45 color mono 2000
France
by Edwige
Mandrou
We experienced a intercept functioning like joining, disruption, hypnosis, generators of ideas. The synchronous character of the image and the sound at high speed is essential with the osmosis of hearing and the vision, with the bringing together of time and space. We use a camera amateur, and a technique "round-rise" simple. The video image is treated musicalement (sequences, loops, cuts).
self-production
self-distribution
[ pr. perception ]
clip
Mamilo
3mn23 b/w sil 2000
Brazil
by Tatiana
Martins de Mello
The video "Mamilo" (bosom) was produced in a very simple and spontaneous fashion. The support is the artist's own body (a theme approached by certain contemporary artists, using electronic means and even information technology). This video is without a doubt the negation of the visual violence produced by the big hollywoodiennes manufacturers of emotions and this appears through the transformations, from the antagonistic states to states of strong sensations.
self-production
self-distribution
[ pr. movement ]
clip
Opuscules: Op. 1
2mn25 color stéréo 2000
Canada
by Pavitra
Wickramasinghe
"Opuscules: Op. 1" > First of the serie Opuscules, This tapes explore the absence / presence of the electronic signal.
self-production
self-distribution
[ pr. movement ]
clip
Opuscules: Op. 2
2mn10 color stéréo 2000
Canada
by Pavitra
Wickramasinghe
"Opuscules: Op. 2" > Second of the serie Opuscules, This tapes explore the absence / presence of the electronic signal.
self-production
self-distribution
[ pr. movement ]
clip
pater noster
3mn40 color stéréo 2001
Germany
by Steph
Ketelhut
Four vertical bands with the tone cold and intercalated heats, consisted of labels, appear and disappear in shifted rates/rhythms. One follows the movement twice ascending and twice descendant of open elevators and the to and from of their users.
self-production
self-distribution
[ pr. perception ]
clip
Raide
8mn20 color stéréo 2000
France
by Laurence
Abraham
A sound band almost more important than the images intersected with black. Impressions ? Outlines which bring on a decisive race : a soldier on a ground of war. That does occur it in its head during and before daring to launch out in a race of attack ?
self-production
self-distribution
[ pr. space ]
clip
Réminiscences I
19mn color stéréo 2001
France
by Biétrix
Schenk
Work on image and sound as sculpted material, modelled, layers of memories, which spring up : Evokes - Metamorphoses.
self-production
self-distribution
[ pr. movement ]
clip
Saturation
8mn color stéréo 2000
USA
by Kara
Hearn
Kara Hearn explores the intersection of body and mind with technology and information overload by documenting the "natural" and personal lanscape of urban dreams and reality.
self-production
self-distribution
[ pr. time ]
clip
Trans(e) Bleu
22mn color & b/w stéréo 2000
Canada
by Emmanuel
Avenel
& Marie-France
Giraudon
The winter polar confinement provokes a landscape trance that permits us to create a cosmic territory, to wander it and to become ourselves a little bit of shamans.
self-production
self-distribution
[ pr. space ]
clip
Vertige
10mn45 color stéréo 2000
Canada
by Isabelle
Hayeur
To fall into the ground as inside our thoughts. Vertigo is an anthropological dive, a descent into the heart of ground and history.
self-production
self-distribution
[ pr. perception ]
clip