PROGRAM TIME 2009
	Lices - 
July 8, 19h & July 10, 19h    
11 
 films - 70mn
 slapstick social15mn25   color   dolby stéréo   2008   Franceby Frank Gattisocial slapstickself-productionself-distributionclip
 slapstick social15mn25   color   dolby stéréo   2008   Franceby Frank Gattisocial slapstickself-productionself-distributionclip Instants d'après6mn37   color   stéréo   2007   Franceby Muriel MontiniA woman emerges from the shadows  in slow motion. While   approaching ,we hear echoes of story . It might seem insignificant , but it’s the sort of stories that  haunts your thoughts for the rest of your life.self-productionself-distributionclip
 Instants d'après6mn37   color   stéréo   2007   Franceby Muriel MontiniA woman emerges from the shadows  in slow motion. While   approaching ,we hear echoes of story . It might seem insignificant , but it’s the sort of stories that  haunts your thoughts for the rest of your life.self-productionself-distributionclip Record of Labor8mn21   color   stéréo   2007   Finlandby Mika J. RipattiA personal documentary about childbirth based on the official birth report and done with the method of combining structural narrative, diary film and strong soundscape.self-productiondistribution : Fixc Coopclip
 Record of Labor8mn21   color   stéréo   2007   Finlandby Mika J. RipattiA personal documentary about childbirth based on the official birth report and done with the method of combining structural narrative, diary film and strong soundscape.self-productiondistribution : Fixc Coopclip Trash1mn52   color   stéréo   2009   Franceby Carole ThibaudA film like a music part. Overexposed, diffuse, badly developed, trembling, full of pixel, but material, light, movement.self-productionself-distributionclip
 Trash1mn52   color   stéréo   2009   Franceby Carole ThibaudA film like a music part. Overexposed, diffuse, badly developed, trembling, full of pixel, but material, light, movement.self-productionself-distributionclip Lom/ Refraction1mn   b/w   stéréo   2008   Slovakiaby Lukáš MatejkaExperimental social portrait old woman.self-productionself-distributionclip
 Lom/ Refraction1mn   b/w   stéréo   2008   Slovakiaby Lukáš MatejkaExperimental social portrait old woman.self-productionself-distributionclip Dans le village5mn30   color & b/w   stéréo   2009   Franceby Laurence Rebouillon & Patricia GodalLove trip and some coachs.production : Les Productions Aléatoires SARLdistribution : Les Productions Aléatoires SARLclip
 Dans le village5mn30   color & b/w   stéréo   2009   Franceby Laurence Rebouillon & Patricia GodalLove trip and some coachs.production : Les Productions Aléatoires SARLdistribution : Les Productions Aléatoires SARLclip Visions of Wasted Time4mn40   color   sil   2007   USAby Neil NeedlemanIt’s impossible to look back at 1985, the year my father died, without feeling bitter about our relationship. To his consternation, I became interested in art, classical music, and shooting/editing moving pictures. These were useless things that didn’t fit into my father’s very practical notion of life. But I am what I am, and I shot what I shot. And I’m still shooting.self-productionself-distributionclip
 Visions of Wasted Time4mn40   color   sil   2007   USAby Neil NeedlemanIt’s impossible to look back at 1985, the year my father died, without feeling bitter about our relationship. To his consternation, I became interested in art, classical music, and shooting/editing moving pictures. These were useless things that didn’t fit into my father’s very practical notion of life. But I am what I am, and I shot what I shot. And I’m still shooting.self-productionself-distributionclip Nobody’s Pet7mn   color   dolby stéréo   2007   Turkeyby Aysegul GuryukselIn the nature of nothingness, there are no rules, no causation and no limits. Except the minimal sustained oppositions of subconscious awareness.production : Subvoidself-distributionclip
 Nobody’s Pet7mn   color   dolby stéréo   2007   Turkeyby Aysegul GuryukselIn the nature of nothingness, there are no rules, no causation and no limits. Except the minimal sustained oppositions of subconscious awareness.production : Subvoidself-distributionclip Un jour j’ai décidé6mn30   color   mono   2007   Franceby Pauline HorovitzThe film remembers, through the standard clichés about education and food, a certain type of education associated with the upper-middle classe of the 50s-60s, and passed down from mother to daughter. And it draws a self-portrait as an alligator.production : ENSADself-distributionclip
 Un jour j’ai décidé6mn30   color   mono   2007   Franceby Pauline HorovitzThe film remembers, through the standard clichés about education and food, a certain type of education associated with the upper-middle classe of the 50s-60s, and passed down from mother to daughter. And it draws a self-portrait as an alligator.production : ENSADself-distributionclip Le Bateau Blanc7mn08   b/w   stéréo   2009   Franceby Carole ThibaudLe temps est passé et mon coeur est fermé. N'y jouent plus les chants de la fratrie humaine, n'y coulent plus les larmes d'amour, mon coeur reste fermé et n'y vivent que des chiens. (in french in the text)self-productionself-distributionclip
 Le Bateau Blanc7mn08   b/w   stéréo   2009   Franceby Carole ThibaudLe temps est passé et mon coeur est fermé. N'y jouent plus les chants de la fratrie humaine, n'y coulent plus les larmes d'amour, mon coeur reste fermé et n'y vivent que des chiens. (in french in the text)self-productionself-distributionclip Shiny Things5mn30   color & b/w   stéréo   2007   USAby Salise HughesManipulated recycled footage of a bank heist set to a reworking of Neil Young’s classic "Heart of Gold".self-productionself-distributionclip
 Shiny Things5mn30   color & b/w   stéréo   2007   USAby Salise HughesManipulated recycled footage of a bank heist set to a reworking of Neil Young’s classic "Heart of Gold".self-productionself-distributionclip