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SELECTION 2013
July 10-13
programs space, identity, long, movement, perception, sense & time
Théâtre des Chartreux 105, avenue des Chartreux / 13004 Marseille tel. 04 91 50 18 90
selection 2013 / title :::: 82 films, 78 authors, 20 countries
Australia
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Austria
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Brazil
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Canada
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China
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Croatia
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Finland
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France
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Germany
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India
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Italy
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New Zealand
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Norway
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Portugal
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Russia
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Serbia
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Spain
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Sweden
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United Kingdom
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USA
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"Fractured"
3mn04 color stéréo 2013
Australia
by David Anthony
Sant
Decisions about what to film within the confines of the specific parameters of the camera frame were determined as much by the decision to avoid filming what lay outside the periphery of that frame. This film explores and reworks perceptions of urban peculiarities found in an Inner Western Sydney landscape through ever shifting camera movements and unconventional editing techniques. Human artifacts in this landscape include such peculiarities as the desolate rooftops of multistorey car parks, street signage, telegraph poles, power lines, empty construction sites and shop front awnings. The re-working is a fractured spatio-temporal continuity that pursues, in the visual and auditory realm, a new mode of expression that seeks to expand cinematic thought.
self-production
self-distribution
[ pr. space ]
clip
12/12/12
1mn color & b/w stéréo 2012
France
by Laurianne
Bernard
121212 is a very short film on 12 december 2012 on Menilmontant Square for 1 minute at 12.12 am There is no dialogue in this picture, just the memorie noise.
self-production
self-distribution
[ pr. space ]
clip
A Few Words In Favor of God
4mn05 color stéréo 2012
USA
by Neil
Needleman
Advertising, branding, marketing, Coca-Cola, and God. Hey, you have to believe in something.
self-production
self-distribution
[ pr. sense ]
clip
A Shine On Your Shoes (A Tribute To The Nicholas Brothers)
12mn color & b/w stéréo 2012
France
by Derek
Woolfenden
Metaphysic travel through the great American cinema (1930-1960) thanks to the great Tap Dance's performers, The Nicholas Brothers.
self-production
self-distribution
[ pr. time ]
clip
Against Mental Castration
5mn37 color stéréo 2013
Croatia
by Karlo
Vranjes
"Against Mental Castration" catch thirst for love and eroticism in the visual arts. This is a tribute to the men and women who have dedicated their professional lives to create a free and open society. The video is a claim against censorship and politics in the creative process. Eroticism against social enslavement.
self-production
self-distribution
[ pr. perception ]
clip
Ancora
2mn44 color stéréo 2013
USA
by Dan
Nadaner
To surface, to see, and to submerge again. Under a wave there can be a moment of not knowing which way is up. The fluidity of movement and the fluidity of video are each metaphors for the organic center of being.
self-production
self-distribution
[ pr. space ]
clip
Anhel
2mn49 color stéréo 2012
Spain
by Irene
Coll Inglés
WISH
Sometimes life leads us to a break, to the end of a way or to an unavoidable crash against a wall. The only way out will be jumping, climbing, running, moving forward…..where to? It doesn’t necessarily matter. The starting point of this piece is presented like this, where through the image and sound we sail through a mood and a desire, the one of change.
self-production
self-distribution
[ pr. sense ]
clip
Annonciation
5mn25 color stéréo 2013
France
by Frédéric
Labonde
A naked sleeping man is lying on the ground. A blood-red drangonfly lands on his heart and the veins of his wrists. The Animal-Angel then approaches the man's face… ANNONCIATION is part of an ongoing reflection on the theme of childlessness, assembling various videos, photographs, and a ditigal piece, relating to another film of mine entitled Humus.
self-production
self-distribution
[ pr. identité[05] ]
clip
Another Day of Depression in Kowloon
16mn color stéréo 2012
China
by Yuk-Yiu
IP
"Another Day of Depression in Kowloon" is a “found” landscape film, a virtual ethnographic study and a digital portrait of Hong Kong as seen through the lens of contemporary popular culture incarnated in the forms of video game and screen media.
self-production
self-distribution
[ pr. identité[13] ]
clip
Black
2mn43 color stéréo 2013
France
by Antony
Jacob
Dusk of places... A progressive redemption of look ; short existence of light here low.
self-production
self-distribution
[ pr. perception ]
clip
Bonne nuit, les petits
4mn15 color stéréo 2011
Russia
by Jean-Marc
Boulard
First day of summer. A 360° chromatic nightmare study at dusk.
self-production
self-distribution
[ pr. perception ]
clip
broken time
1mn color & b/w dolby stéréo 2011
Austria
by Johannes
Gierlinger
Like Jeanne d'Arc in front of the scaffold, clueless. Finally, a fight, they come to get her, the redeeming handshake. Out of the hands, on the hands, that’s how you can read broken time: because something is eliminated, combed, scratched and lovely caressed. Perhaps the velvet glove is the connecting through time. For an alliance it´s taken off. Something is sealed: memory and dream play off against each other, the best fighter will be adopted. And ultimately it burns to ashes, the famous story, it was all a dream. Maybe she was the boy that she kissed, at least she resembles him. The image section and traces on the material are covering the secret. Serious men come up to exterminate her. "Deform Your Dreams" as the only liberation. (Text: Jan Zischka)
self-production
self-distribution
[ pr. perception ]
clip
Castaway
14mn color stéréo 2012
Canada
by Isabelle
Hayeur
Castaway was filmed in the murky waters of Witte’s Marine Salvage at Staten Island (New York). The largest boat cemetery on the Eastern Seaboard, this uncanny, desolate place is the final resting place of numerous wrecks of all varieties and several eras: ferries, barges, fishing boats, old steam tugs. Located near New Jersey’s Chemical Coast and the former Fresh Kills landfill, these now toxic shores have seen their share of ecological disasters.
self-production
distribution : Groupe Intervention Vidéo
[ pr. space ]
clip
Chapeau-poulpe
18mn38 color stéréo 2013
France
by Mathieu
Calvez
The strike show take easy on the social cruises where it looks the past. But once income in full fiction, the choose find the fall of every protagonist and so opens the object broken in its new freedom.
self-production
self-distribution
[ pr. long ]
clip
Charade
8mn30 color stéréo 2013
USA
by Salise
Hughes
Based on, and using manipulated footage from the 1963 film of the same name, with Cary Grant and Audrey Hepburn. The film is about a man who is constantly changing his identity.
self-production
self-distribution
[ pr. perception ]
clip
Confusion is my birthright
3mn19 b/w stéréo 2012
France
by Dorianne
Wotton
Isolated in an inert world throbbing, so white, hallucinated, evaporated, she roams, sleepwalking wandering in a strange land where she has disappeared ... ...world of muffled noises, discolored, disarticulated, gasping, panting. She floats to her inviolable island, untouchable. And she sees herself splitted, choked. And she sees herself without bonds nor any support, except, except... oh sweet pills! And she sees herself freed or enslaved, high, high, high ... And she sees herself ...
self-production
self-distribution
[ pr. identité[03] ]
clip
Crop Duster Octet
5mn30 color stéréo 2011
USA
by Gregg
Biermann
In Crop Duster Octet, the iconic “crop duster”sequence from Hitchcock’s North by Northwest in which Cary Grant is repeatedly attacked by a small airplane swooping from the sky is deconstructed into eight horizontal bands, each of which is slightly out of synch with the next. As the scene (and, in particular, Grant’s body) is continuously deconstructed,the patterns of action are refigured and intensified, culminating in a crescendo of convergence. -- Jaimie Baron, LA Filmforum
self-production
self-distribution
[ pr. space ]
clip
Culture, This period is considered
4mn09 color & b/w stéréo 2012
USA
by Brice
Bowman
"Culture, This Period is Considered" is about culture deprivation through inept city management producing stupid communities that consequently don't know the difference while living their lives in ghost towns of what could have been.
self-production
self-distribution
[ pr. space ]
clip
Davanti
5mn25 color stéréo 2013
Italy
by Salvatore
Insana
In front of my eyes there are your faces, in front of my lens there are your activities, in front of my soul there are your monsters. Looking out the window with tremble and fear, capturing the neighbours' external interface. But that's not a peep inside, is a dwelling on what comes out.
self-production
self-distribution
[ pr. perception ]
clip
Dérives
16mn26 color stéréo 2012
France
by Cécile
Ravel
Currents carry away the memories and portraits of my family that history has tossed from one shore of the Mediterranean sea to the other. The wish to remember dialogues with the will to forge, in a pendular movement between moving memory and frozen remembrances, unstable geographies and petrified portraits
self-production
self-distribution
[ pr. time ]
clip
Deslinges & Drapeaux
6mn15 color dolby stéréo 2013
France
by Frank
Gatti
Women Marseille 2013 (a certain textile art).
self-production
self-distribution
[ pr. movement ]
clip
Displacement
7mn20 color & b/w stéréo 2012
Croatia
by Liliana
Resnick
A woman experiences the sudden realization that time is not linear, but that the past, present and future spiral within her simultaneously.
self-production
self-distribution
[ pr. perception ]
clip
Disturbdance
3mn25 color stéréo 2012
United Kingdom
by Guli
Silberstein
A poetic video work: a young woman is blocking two armed soldiers from firing at protesters in a Palestinian village. The image is digitally processed and slowed down. The soundtrack is replaced with lyrical music. The scene is turned to a peculiar romantic dance, highlighting the magical and rare human connection formed for a brief moment, captured and transmitted by digital technology. The work deconstructs oppressors-protesters conflict, crystallising it to one on one poetic encounter, and at the same time offers an alternative in the young woman's action.
self-production
self-distribution
[ pr. perception ]
clip
do as Atsuko do
2mn56 color stéréo 2013
Sweden
by Antti
Savela
...the contrast by the small female figure - drinking coffe, smoking etc, in order to give the impression to the watcher of a peep in a private domestic act - and the tall male figure give a special hint of irony to the video, bringing together a glance on the solitude and the poetics of making small everyday things...
self-production
self-distribution
[ pr. identité[12] ]
clip
Downbreak on 1, Upbeat on 2
3mn38 color stéréo 2013
New Zealand
by Brit
Bunkley
Salsa is a syncretic dance form with origins from the Cuban Son (circa 1920s) and Afro-Cuban dance. This style of dance has made an entry in a big way to New Zealand in recent years. It is a raucous, sexually overt style of dancing; whose videoed silhouetted dancers and feet bathed in the gentle cerebral soundtrack of the group Deaf Center (with their permission) creates an otherworldly nostalgic presence. http://vimeo.com/55584080
self-production
self-distribution
[ pr. movement ]
clip
El Angel Caído (l'ange déchu)
4mn color & b/w sil 2011
Spain
by Chus
Dominguez
& Elena
Córdoba
“Nature has endowed the wing with the power of lifting the heavy to the heights where wells the race of the gods. Of all physical things, it is the most involved of the divine”. Phaedrus, Plato
self-production
distribution : Jesus M. Dominguez
[ pr. perception ]
clip
El Oso Verde
3mn30 color stéréo 2011
Germany
by Sylvia
Winkler
& Stephan
Koeperl
A green bear is begging for money in the streets. Passers-by find themselves confronted with the well known logo of a bank which suddenly appears as a precarious walking-act in public space.
self-production
self-distribution
[ pr. long ]
clip
Encre
3mn18 color & b/w stéréo 2012
France
by Antoine
Miserey
Portrait of an absence. The unknown of the Seine is a not identified young woman whose death mask becomes a popular ornament on the walls of artists' houses after 1900 Antoine Miserey
self-production
self-distribution
[ pr. long ]
clip
Ese momento particular
1mn color stéréo 2012
Spain
by Montserrat
Rodríguez aka nyx10110
"That particular moment". After a long walk around the lake, you feel good. You stop to observe the nature, absorbed ... The reflections of the trees in standing water relaxes you. Still hear the sonority of the urban life in the distance, more or less away. But are abstracted. Your focus is 99% at that particular moment. The wind, the birdsong ... Sounds. It seems that no problem of daily life is important. It is like daydreaming. But there's always something, that 1% that makes you return to reality and move forward ...Noises. It is the rhythm of the life, a flow of sound and visual movement, more or less controlled and orderly. It is sometimes long and sometimes short, you will relax or tense.Sometimes altered abruptly and surprises you. Interrelated whole, nature and civilization. The life filled with these particular moments, at your own pace.
self-production
self-distribution
[ pr. space ]
clip
Feed
3mn38 color stéréo 2012
USA
by Coalfather
Industries
Eating, crying, sleeping.
self-production
self-distribution
[ pr. identité[10] ]
clip
Fill Up The Space
4mn02 color stéréo 2012
Italy
by Salvatore
Insana
Nervous spidery spirits looking for a body (language) - theirs probably – moving along in a space-time lapse without any shape, without any edge, borderline, in liquefaction. Filling up that space-time, to not suffer too much the temptation to sink into. Fill up the space by the void or by the human corpses fighting to float in that white magma formerly known as unconscious.
self-production
self-distribution
[ pr. movement ]
clip
for w.g. sebald (travel without travel)
4mn39 color sil 2011
USA
by Stephanie
Barber
A collection of titles from a honeymoon trip around the world in the early 1950's. The poetics of the words assert themselves, diminish the images which are tethered, physically and as regards our understanding of place, to the names of the sights. The entirety becomes a moving and concrete poem.
self-production
self-distribution
[ pr. perception ]
clip
Fragments untitled #1
6mn50 color stéréo 2012
Serbia
by
Doplgenger
The famous speech of Slobodan Milosevic, which took place at Kosovo on June 28th 1989, was performed in front of the thousands of people. The National television was streaming it. This event, as known as “happening of the people”, is embodied in the image and the speech of Milosevic. History regards it as a presage of the collapse of Yugoslavia and the bloodshed of the Yugoslav Wars. Doplgenger vivisects media footage and TV stream of the 1989 event in order to denote the invisible and deconstruct the memory.
production : Doplgenger
distribution : Doplgenger
[ pr. sense ]
clip
G/R/E/A/S/E
22mn color dolby stéréo 2013
Spain
by Antoni
Pinent
Vinyl and Celluloid Party. […] Sandy / Danny / Sanny / Dandy / ... both faces at the same coin-frame. A new (sub)version film… all from the original Grease (1978). Recycled period for the cinema. Eco-image. Work with the hands, nowadays the materiality of the support at the digital era. […] The challenge to go further with the technique of "Film Quartet" (35/4). Behind the images there is the influence of Dziga Vertov, Mimmo Rotella and Christian Marclay (body mixes). «I just got another movie role. I play an art teacher in Grease. Eve Arden is the principal, and John Lindsay is somebody, and John Travolta, the star of Grease, is in it.» [Andy Warhol. June, 1977.]
self-production
distribution : Light Cone
[ pr. long ]
clip
Give and Take no. 06
3mn38 color stéréo 2012
USA
by Joy
Whalen
Here, we witness the honest, nearly sentimental, grappling’s with the ethereal nature of love and it’s loss as the subject in give&take no.06 mourns her own to the point of slipping into abstraction. This work handles a moment where in spite of best efforts a love flickers out…as it sometimes is known to do.
self-production
self-distribution
[ pr. perception ]
clip
Go Burning Atacama Go
5mn40 color & b/w dolby stéréo 2012
Italy
by Alberto
Gemmi
Go Burning Atacama Go is a reflection on the concept of memory and time after the violent departure of a friend. A film of organic suffering as a way to go beyond this pain, something I like to define as «cinema-therapy».
production : Caucaso Factory
distribution : Caucaso Factory
[ pr. time ]
clip
Hex Suffice Cache Ten
12mn42 color stéréo 2012
Germany
by Thorsten
Fleisch
A surreal escape of a disintegrating mind into neon-lit nightmares from a discarded future. Suddenly interferences from sub-particle proliferation occur within the protagonist's body, a transformation can't be avoided. This exploration of cinematic space within an implosion of cerebral space is a daring tale of aliens, experiments on humans, video games and mutation. It is showering the unsuspecting viewer in handmade visual and aural stimuli from planet Fleisch.
self-production
self-distribution
[ pr. identité[07] ]
clip
Hidden Nippon
3mn17 color & b/w mono 2011
Canada
by Adrienne
Marcus Raja
What one will experience is a journey in finding the unspoken world where the sun sets through documentations of the hidden history of Nippon. This is the artist's response to these struggles and her interest in following and learning more of events such as these.
self-production
self-distribution
[ pr. sense ]
clip
Hill Film
2mn02 b/w stéréo 2013
United Kingdom
by Benjamin
Fox
A short tactile excursion up and around St Catherine's Hill, Winchester, in an English Midwinter. Animated textures permeate the stark landscape, to a hauntingly atmospheric soundtrack.
self-production
self-distribution
[ pr. time ]
clip
Illusion
0mn48 color stéréo 2011
Sweden
by Anders
Weberg
Illusion captured with the iPad.
self-production
self-distribution
[ pr. perception ]
clip
Inability of Being Nude
2mn45 color stéréo 2013
Germany
by Wilfried
Agricola de Cologne
The moving picture takes the classical theme of the “nude” in a contemporary interpretation as a psychological condition. The viewer is confronted with different levels of movements of baring/exposing, but is disturbing intimacy, the process of emptiness. Emptiness in the sense of meditating. The nude is a metaphor. The Inability of Being Nude becomes the inability of exposing one’s entire internal to other people, including those who are most intimate and this could be the viewer himself. This inability is in the same way protecting as separating.
self-production
self-distribution
[ pr. space ]
clip
Je ne suis pas une voiture, ni Vincent Van Gogh
5mn47 color stéréo 2013
France
by Carole
Contant
Selfportrait in an hospital
self-production
self-distribution
[ pr. time ]
clip
La brasse coulée
20mn03 color stéréo 2013
France
by Roselyne
Frick M
Experience in sound and image, between sleep and waking, between inspiration and expiration, stories of water and ... the International!
self-production
self-distribution
[ pr. long ]
clip
Le Chemin des Glaces
22mn color & b/w sil 2013
France
by Philippe
Cote
By feet, by boat, by train, this film, shot in super 8mm, leads us from the old New York to the snowded et iced lands, farer in the North, through a white progression.
self-production
self-distribution
[ pr. time ]
clip
Les lunettes
1mn color mono 2011
France
by Pauline
Horovitz
History of a collection.
production : Quark Productions
distribution : Quark Productions
[ pr. identité[11] ]
clip
Little Girl with Gorilla
1mn15 color sil 2013
Portugal
by Jonathan
Franco
A little girl stares at a gorilla.
self-production
self-distribution
[ pr. long ]
clip
Living on the Edge
3mn20 color stéréo 2012
Canada
by Aaron
Zeghers
An anthropological peepshow of Kingdom Anamalia's state-of-affairs via frame-by-frame super 8. This animal's history of wreck and ruin the catharsis of a (formerly) lapsed vegetarian.
self-production
self-distribution
[ pr. movement ]
clip
Living Things
13mn35 color & b/w stéréo 2013
USA
by Jeremy
Newman
"Living Things" critiques the depiction of gender and science in Cold War era B-movies. In these films, women are victimized as science goes horribly awry. Yet, representational violence is veiled by absurdity. This experimental video highlights the cultural anxieties, shifting gender roles and scientific progress, which fostered these representations.
self-production
self-distribution
[ pr. perception ]
clip
Lixiviat
9mn49 color stéréo 2012
Canada
by Pavitra
Wickramasinghe
Robin Dupuis approaches the construction of narrative structures through images and sounds that he generates and filters on home-grown computer systems. He works on digital supports, transforms the language of moving images, and plays with the soundscape to propose a contemplative experience. The abstract images and unheard-of sounds that he creates prompt spectators to “perceive” more intuitively, in what Henri Chomette once described as cinéma pur. Lixiviat | Robin Dupuis | HD | 09:49 | 2012 Lixiviat is available in single channel and in installation Lixiviat has been presented at; Espace BV, Mois Multi 11, Québec | Février 2011 https://vimeo.com/47239289 Supported by the Conseil des arts et des lettres du Québec, the Rustines|Lab of Perte de Signal and La Bande Vidéo.
production : Perte de Signal
distribution : Perte de signal
[ pr. movement ]
clip
Mer, baigneurs et taches colorées(1)
8mn color mono 2012
France
by Muriel
Montini
A shot revisited 3 times
self-production
self-distribution
[ pr. sense ]
clip
Mer, baigneurs et taches colorées(2)
7mn color mono 2012
France
by Muriel
Montini
A shot revisited 3 times
self-production
self-distribution
[ pr. sense ]
clip
Mer, baigneurs et taches colorées(3)
5mn color stéréo 2012
France
by Muriel
Montini
A shot revisited 3 times
self-production
self-distribution
[ pr. sense ]
clip
Muu
10mn color stéréo 2012
Canada
by Nelly-Eve
Rajotte
Muu is an 20 min A/V performance and installation revealing images of the mythical American desert, around the theme of disappearance. The project presents itself as a Western film without protagonists. Its inherent quest is interaction with the viewer, who stands in the midst of the videographic and sonic spaces of the piece. The disconcerting mood of the soundtrack places the viewer in an ambiguous space, creating a tension within the video component and expressing vastness and emptiness. MUU has been presented at : Festival Sight and Sound / Son et Vue, Montréal, May 2011 Action Art Actuel, Saint-Jean-sur-Richelieu, June 2011 Video excerpt : http://vimeo.com/23127718 Informations : http://www.perte-de-signal.org/ Muu can be presented as a performance, an installation or a video.
self-production
distribution : Perte de signal
[ pr. space ]
clip
natyr
4mn45 color stéréo 2013
Norway
by Ottar
Ormstad
'natyr' is the third video in which Norwegian artist Ottar Ormstad combines concrete poetry, images, and music/sound. This time the video is based on a work by the Norwegian painter Knut Rumohr (1916-2002) who mostly created abstract tempera paintings inspired by the nature of a fjord at the Norwegian west coast. Ormstad once again continues mixing words from different languages. A concept he presented with "Non-Translation as Poetic Experience" at the Translating E-Lit conference in Paris 2012. The word 'natyr' may not exist in any language, but may be experienced with different associations to nature. The video (HD 16:9) is made for plain screening (4:45min). Exept for the animation made by Ina Pillat, everything is directed and created by Ormstad, photography and music included.
self-production
self-distribution
[ pr. identité[09] ]
clip
Passengers
1mn32 color stéréo 2012
USA
by Brice
Bowman
"Passengers" begins with two shadows walking potentially not so unlike the two motorcyclists might pass by in Jean Cocteau's Orpheus; before the movie suddenly switches to scenes of passengers on a journey to an unknown destiny, all with strong overtones of haunting emptiness.
self-production
self-distribution
[ pr. space ]
clip
post view
5mn40 color mono 2012
France
by Pierre
Merejkowsky
All we are the Godard.
production : Agiti Films
distribution : Agiti Films
[ pr. sense ]
clip
QC2012 - Maniac Cop Remix
1mn32 color stéréo 2012
Canada
by Frédérick
Maheux
"You have the right to remain silent. Forever."
self-production
self-distribution
[ pr. movement ]
clip
Quebec Transmission 163
3mn color mono 2012
Canada
by Frédérick
Maheux
I remember.
self-production
self-distribution
[ pr. sense ]
clip
Robo Cats in Titan City
5mn04 color stéréo 2012
Germany
by Paul
Wiersbinski
The Video Installation “Robo Cats in Titan City” reflects on issues of Science Fiction by mixing different layers of utopic and disutopic image history with parts of the last interview given by one of the most controversial German intellectuals of the 20th century, Ernst Jünger.
self-production
self-distribution
[ pr. identité[08] ]
clip
rotation
3mn07 color & b/w stéréo 2013
India
by Aditi
Kulkarni
It’s an video projecting parallel momentum and relative dimensions co-existing in between space-time model.
self-production
self-distribution
[ pr. space ]
clip
Seventeen Point Plan
3mn color stéréo 2013
Germany
by Christin
Bolewski
After the Chinese invasion of Tibet the Tibetan government is forced to sign the Seventeen Point Agreement for the Peaceful Liberation of Tibet with the People’s Republic of China in 1951. The people of Tibet have not given up hope of somehow driving out their oppressors even after 63 years of occupation.
self-production
self-distribution
[ pr. space ]
clip
Si par une nuit d'hiver un voyageur
30mn color stéréo 2012
France
by Caroline
Beuret
& Lo
Thivolle
If on winter night a traveler, in his wandering, his errors, his erring ways, came to touch, to speak to us, to stay there. Of this erratic experience, a shelter of a few moments, one moment of aprés rest the hail. A port where from we have to leave, dive back into the thunderstorm.
self-production
self-distribution
[ pr. long ]
clip
Sinecdoquanon
7mn29 color stéréo 2011
Spain
by Santiago
Parres
I escape. I bend my entrails on suicidal Sundays. Undoing my diary of numbered hours, I look through the privileges I had yesterday. I am free to be free... inside white cell. I am dark cabala. I lie on air.
self-production
self-distribution
[ pr. space ]
clip
Sinfullness
1mn18 color stéréo 2012
Sweden
by Anders
Weberg
Marked by sin ...
self-production
self-distribution
[ pr. identité[04] ]
clip
Sleep
11mn20 b/w stéréo 2012
France
by Mounir
Fatmi
Since 2005, mounir fatmi has developed a project called « Sleep”, as a reference coming straight from Andy Warhol’s pop and minimalist experimental movie where the relentless image of the poet John Giorno, asleep, was shown for six hours. 32 years later, mounir fatmi is trying to reactivate this apparatus. The figure of the sleeper played by Salman Rushdie should change the way it should be seen. Instead of the “obsolete” sleep of John Giorno ahead of Warhol’s lens, the literary and polemic context would make the sleeping of the British writer necessary and paradoxical.
self-production
distribution : HEURE EXQUISE !
[ pr. time ]
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small choir
9mn08 color stéréo 2012
Australia
by Scott
Morrison
small choir (2012) was originally presented as a continuous loop installation with Beam Contemporary, Melbourne Australia. It is a rhythmic mediation of space, time and perception. It is a collage of sensory experience where what we are seeing and hearing draws us deeper into a forest forever in flux.
self-production
self-distribution
[ pr. movement ]
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Songe
7mn color & b/w stéréo 2012
China
by Dragana
Zarevac
Sensitive collage, combination of disparate elements. Childhood images, cartoons, dreams and realities. Dream of distant memories. Around the feeling of growing.
self-production
distribution : HEURE EXQUISE !
[ pr. space ]
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Spectrography of a battle
3mn43 b/w stéréo 2012
Italy
by Fabio
Scacchioli
& Vincenzo
Core
A cinematic adventures in dark and light.
self-production
self-distribution
[ pr. perception ]
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Storia
6mn45 color stéréo 2013
France
by Gérard
Cairaschi
Carried by a song, images and fragments of narration intertwine. Simulacrum, magical or religious ritual, ritual of death or rite of passage, nothing is explicit in the action that deploys amongst the characters, between the extreme proximity and, at the same time, the absolute distance expressed by the gestures and bodies.
self-production
distribution : HEURE EXQUISE !
[ pr. movement ]
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System Overload
6mn16 color stéréo 2013
France
by Johanna
Vaude
A system is running at top speed when an intrusion jeopardises its foundations and its dogmas, provoking a chain reaction... The machine is out of control and liberates many aspirations totally unknown and incompatible with its initial program...
production : Sacrebleu Productions
distribution : Sacrebleu Productions
[ pr. sense ]
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the devil
7mn01 b/w stéréo 2012
France
by Jean-Gabriel
Périot
You don't know what we are.
production : local films
distribution : HEURE EXQUISE !
[ pr. sense ]
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The Peril That Lurks By The Sea
11mn22 color stéréo 2012
United Kingdom
by Patrick
Rowan
This is an experimental film, shot frame by frame on a 35mm stills camera. The film plays with the distortion of time and reality, in it's narrative content, as well as the way it is structured together with a horizontal split screen. Throughout the film, the repetitive rhythm that is built up is often disrupted by out-of-sequence frames, that reach back and forward along the time-line, foreseeing what is to come as well as what has been and gone.
self-production
self-distribution
[ pr. movement ]
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The rose garden
3mn26 color stéréo 2013
Spain
by Esther
Pérez de Eulate
Summer comes and the rose garden becomes an explosion of beauty and color, a nice scenario that leaves thousands of digital copies. Is it possible to have certain experiences without trace? Is photography a hobby or a necessity?
self-production
self-distribution
[ pr. space ]
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The Sun
1mn03 color sil 2012
Portugal
by Jonathan
Franco
Two archive photos of the sun taken during a train trip are manipulated to create a sequence of colorful energetic images. A homage to the landscape paintings of J. M. W. Turner and to the famous sun scene from Akira Kurosawa’s Rashomon.
self-production
self-distribution
[ pr. long ]
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The Tears of Man Ray
5mn31 color & b/w stéréo 2012
USA
by Brice
Bowman
"The Tears of Man Ray" evolves around the notion that life events that are at first pleasant memories can turn out later to become sour memories; and become regret in the deepest sense, haunting us forever, moreover, indulgences that lead to disasters, the manner in which a creative person sacrifices all of oneself for art at all costs as if they were hypnotized to out of control addictions. Other notions in "The Tears of Man Ray" are: foreignness, irony, failing while trying to recover, nostalgia based in fiction, death after life (yes I said "death after life"), and additionally life lived as a partition from reality, inaccessibility, exoticness, inability to retain something once obtained, always being on a journey, the ocean as time, and repetitive music seemingly sweet but ever so full of pain in reality with its inherent repeating error (which I put the error in the soundtrack music intentionally).
self-production
self-distribution
[ pr. identité[02] ]
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the Voice of God
9mn45 color stéréo 2011
Germany
by Bernd
Lützeler
If God would come down to earth and try to earn a living in Bombay, most probably he would very soon become successful as a voice over artiste, lending his voice to thousands of hindi movies and even more documentaries and public service films in India. A melo-dramatic docu-drama with voice-over in stop-motion and long-time exposure.
self-production
self-distribution
[ pr. movement ]
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Transition Process / Un processus de transition
5mn01 color & b/w stéréo 2012
Finland
by KirsiMarja
Metsähuone
Moving image collage - a visual poem - of a photographer and the absurd world we live in. Are we hiding in an eternal transition process where freedom of speech & expression, equality and peaceful co-existence are only a dream?
self-production
self-distribution
[ pr. sense ]
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Trip Paulista
5mn45 color stéréo 2011
Brazil
by Marcia Beatriz
Granero
After a night of strange dreams, she wakes up and takes some coffee to go with some psychotropics. Her hesitation arises as an invitation for a pleasant tour in the crowded streets of Sao Paulo/Brazil.
self-production
self-distribution
[ pr. identité[06] ]
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Une Ritournelle
8mn color stéréo 2013
France
by Emmanuelle
Sarrouy
they came to this conclusion that not to sink they would have to spin, spin, spin
self-production
self-distribution
[ pr. identité[01] ]
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Vera Drake, Drowning
3mn color stéréo 2012
USA
by Mark
Street
I buried a 35 mm trailer for the Mike Leigh film in my garden and came upon it several years later. The vagaries of nature (snow, rain, ice, sun) yielded a scrupulous document of the passing of time. Soundtrack made up of ambient musique concrete and snippets of music sung by women.
self-production
self-distribution
[ pr. movement ]
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View from a Boat with Exotic Woman and Fireworks
1mn39 color sil 2013
Portugal
by Jonathan
Franco
A man with a hat dreams of an exotic woman while looking at the seascape.
self-production
self-distribution
[ pr. perception ]
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[ Semaphore ]
2mn54 color stéréo 2012
France
by Gilivanka
Kedzior
& Barbara
Friedman
« Sometimes, when everywhere around darkness smothers the last breaths by its density, images come to us. Fleeting visions that play with our reason, as many isolated beacons ; enigmatic signals revealing another space-time, lost, forgotten, hidden. Troubled by the masquerade of screen memories, voices are raised ; familial and familiar exchanges take place again, for a moment, underlining the obviousness of the unspoken. Yet I had erased the traces of that other story. »
self-production
self-distribution
[ pr. perception ]
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