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VIDEO LIBRARY ICN 2013
In
January 2014
the selection below will complement the video library ICN.
Video library P'Silo at the videodrome 8 rue Vian / 13006 Marseille
15h to 19h except holidays
video library P'Silo 2013 / title :::: 200 films, 157 authors, 29 countries
Australia
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Austria
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Belgium
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Brazil
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Canada
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Chile
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China
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Croatia
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Finland
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France
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Germany
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India
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Italy
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Lithuania
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Mexico
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Mongolia
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New Zealand
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Norway
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Portugal
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Republic of Ireland
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Romania
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Russia
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Serbia
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Slovakia
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Spain
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Sweden
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Ukraine
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United Kingdom
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USA
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"Fractured"
3mn04 color stéréo 2013
Australia
by David Anthony
Sant
self-production
self-distribution
Decisions about what to film within the confines of the specific parameters of the camera frame were determined as much by the decision to avoid filming what lay outside the periphery of that frame. This film explores and reworks perceptions of urban peculiarities found in an Inner Western Sydney landscape through ever shifting camera movements and unconventional editing techniques. Human artifacts in this landscape include such peculiarities as the desolate rooftops of multistorey car parks, street signage, telegraph poles, power lines, empty construction sites and shop front awnings. The re-working is a fractured spatio-temporal continuity that pursues, in the visual and auditory realm, a new mode of expression that seeks to expand cinematic thought.
"Number 67 (zoom)"
10mn59 color stéréo 2012
USA
by Robert
Pearre
self-production
self-distribution
Ambient urban imagery with superimposed text and recorded sound.
"Number 77 (And The Sun Has No Surface)"
6mn51 color stéréo 2012
USA
by Robert
Pearre
self-production
self-distribution
Ambient urban imagery with superimposed text and recorded sound.
"Number 80 (Falls Road)"
7mn30 color stéréo 2013
USA
by Robert
Pearre
self-production
self-distribution
Ambient urban imagery with superimposed text and recorded sound.
♥++
2mn48 color stéréo 2012
Canada
by Clint
Enns
self-production
self-distribution
A video game that lies somewhere in the realm of text based rpg, digital exploration and guide to sexual enlightenment.
((in stasis))
2mn45 color stéréo 2012
Canada
by Aaron
Zeghers
self-production
self-distribution
A hibernation meditation from the ice encrusted oasis of Winnipeg, Manitoba. Created with the franken-milne strobe-o-scopic LED contact printer on 16mm. Special thanks to Andrew Milne
12/12/12
1mn color & b/w stéréo 2012
France
by Laurianne
Bernard
self-production
self-distribution
121212 is a very short film on 12 december 2012 on Menilmontant Square for 1 minute at 12.12 am There is no dialogue in this picture, just the memorie noise.
3
3mn22 color stéréo 2011
Romania
by Daniel Nicolae
Djamo
production : independent producer
self-distribution
These videos ("Menu", "The fat lamb" and "3") are part of a larger project, named “Buni”, which is a journal of the last words. I started it in the middle of 2009. It’s decomposition, mental agony and self loss. This is not a documentation of death, but a mere projection of what really matters. The photos are trying to underline the immortality of the human experience with everything that surrounds him, their interior value, that is never forgotten or lost, becoming the legacy of those who are near to us, those who we love. “Buni” is not a two year study of degradation, but everyone’s story, even if it appears in rather different shapes, written or rewritten with more or less talent. Buni raised me. Although we are not related, she was more than a mother to me. I started photographing her when I saw that he is poor in health. I felt I must do it. I couldn’t stay inert. In the summer of 2010 I felt that the photographic medium is poor, considering what I felt I would like to transmit to others. That is why I chose to continue what I felt I must do through video. It is obvious that a feeling cannot be transmitted in the sharpest, truly human and real form through the use of photography, film, or text. Nothing that is inside of us can be made VHS or DVD. “Buni” can only offer photocopied images of a story distorted by our own memories, becoming a reflection of ourselves in deformed mirror. It is a continuous project, putting together more than 180 hours of filmed material and more than 1600 photographs. This work is part of this larger project, alongside other videos made out of the filmed material that I have gathered.
99 Problems (Explicit Political Remix)
2mn35 color stéréo 2012
USA
by Diran
Lyons
self-production
self-distribution
In "99 Problems (Explicit Political Remix)", Barack Obama raps a modified version of Jay Z’s rap classic "99 Problems". The revised lyrics cover subjects ranging from Occupy Wall Street, escalating energy costs, bank bailouts, "Fast and Furious", Obama's birth certificate, and the use of predator drones. A portion of the lyrics were appropriated from Chris Hedges' polemic "Time to Get Crazy". (http://www.truthdig.com/report/item/time_to_get_crazy_20120702).
A Charming and Quaint Tale of Brutal Revenge
7mn50 color stéréo 2012
USA
by Neil
Needleman
self-production
self-distribution
Behind the charming, quaint, pastoral veneer of this tale lurks a psychodrama about my fear of being considered unemployable because of my age. This story was inspired by true events: The loss of the dog food account that kept me gainfully employed at the ad agency for 5 years.
A Dangerous Question
5mn35 color stéréo 2012
Austria
by Zaoli
Zhong
self-production
self-distribution
This video is based on the concept: the part of a part; the people’s life could be part of a war and the war could be part of people’s life. They affect each other. I chose a real story of a friend of mine who went back to Syria and died in Homs on May 28th, 2012. The video is about conversations, memories and questions between him and me.
A Few Words In Favor of God
4mn05 color stéréo 2012
USA
by Neil
Needleman
self-production
self-distribution
Advertising, branding, marketing, Coca-Cola, and God. Hey, you have to believe in something.
A Shine On Your Shoes (A Tribute To The Nicholas Brothers)
12mn color & b/w stéréo 2012
France
by Derek
Woolfenden
self-production
self-distribution
Metaphysic travel through the great American cinema (1930-1960) thanks to the great Tap Dance's performers, The Nicholas Brothers.
Against Mental Castration
5mn37 color stéréo 2013
Croatia
by Karlo
Vranjes
self-production
self-distribution
"Against Mental Castration" catch thirst for love and eroticism in the visual arts. This is a tribute to the men and women who have dedicated their professional lives to create a free and open society. The video is a claim against censorship and politics in the creative process. Eroticism against social enslavement.
Ah God !
1mn40 color stéréo 2012
Austria
by Yuko
Ichikawa
self-production
self-distribution
Ah God !!! Respect! Not only her pass something. It can be………………
Alter Ego
3mn35 b/w stéréo 2013
Slovakia
by Gregor
Nadzam
self-production
self-distribution
Film is about self looking for, something is different, but author cant find what is wrong.
Ancora
2mn44 color stéréo 2013
USA
by Dan
Nadaner
self-production
self-distribution
To surface, to see, and to submerge again. Under a wave there can be a moment of not knowing which way is up. The fluidity of movement and the fluidity of video are each metaphors for the organic center of being.
and I loved only you...
1mn54 color stéréo 2013
Romania
by Daniel Nicolae
Djamo
production : independent producer
self-distribution
The video is an anachronic story, a song that I heard on a train, in Paris, in August 2011, sung by a Romanian begger, on route to Bercy train station. The images were taken on my way from Sibiu to Ploiesti, from noon to afternoon, trying to return him to the one he loved. The story speaks of adaptation and, possibly, regret of an inability to readapt (maybe to a physical space, like its homeland). It could be seen as an impossible return to something that one loves, but simply can not absorb once more.
Anhel
2mn49 color stéréo 2012
Spain
by Irene
Coll Inglés
self-production
self-distribution
WISH
Sometimes life leads us to a break, to the end of a way or to an unavoidable crash against a wall. The only way out will be jumping, climbing, running, moving forward…..where to? It doesn’t necessarily matter. The starting point of this piece is presented like this, where through the image and sound we sail through a mood and a desire, the one of change.
Annonciation
5mn25 color stéréo 2013
France
by Frédéric
Labonde
self-production
self-distribution
A naked sleeping man is lying on the ground. A blood-red drangonfly lands on his heart and the veins of his wrists. The Animal-Angel then approaches the man's face… ANNONCIATION is part of an ongoing reflection on the theme of childlessness, assembling various videos, photographs, and a ditigal piece, relating to another film of mine entitled Humus.
Another Day of Depression in Kowloon
16mn color stéréo 2012
China
by Yuk-Yiu
IP
self-production
self-distribution
"Another Day of Depression in Kowloon" is a “found” landscape film, a virtual ethnographic study and a digital portrait of Hong Kong as seen through the lens of contemporary popular culture incarnated in the forms of video game and screen media.
Apocalypse
1mn46 color stéréo 2013
France
by Antony
Jacob
self-production
self-distribution
Black sun, moon of blood, the first disasters... I saw it breaking the seventh stamp, and the earth trembled hard... The sun became black as bag of horsehair, the very whole moon became as some blood and the stars of the sky fell on the earth as figs by big wind. The sky left as a book which they roll...
Arrest
2mn42 b/w stéréo 2012
Canada
by Victoria
Stanton
self-production
distribution : Groupe Intervention Vidéo
How empty spaces are filled, with what objects, memories and emotions that get left behind. Left and layered, the way memory fixes key images and re-plays sequence upon sequence to the point of blurred abstraction. This space is a constant companion, filled with what objects, emotions and recollections that are needed in order to keep the present firmly connected to a past.
autoportrait glissant
5mn30 color stéréo 2013
France
by Carole
Contant
self-production
self-distribution
Sliding selfportrait when the dark is the light.
Balances des blancs
3mn08 color stéréo 2013
France
by Christophe
Gauthier
self-production
self-distribution
A staggering trip in the Alps toward white and black.
Barbra
12mn10 color mono 2012
United Kingdom
by Sara
Brannan
self-production
self-distribution
I re-edit public domain films into short videos focusing on the female lead character. Only footage of the female alone in the frame is used, the rest of the film is removed and the images are edited together to run consecutively, following the chronological order of the original film.
Bite Horse
7mn11 color stéréo 2012
United Kingdom
by Sam
Walker
self-production
self-distribution
Baby come home sooner or later bite from the horse and the alligator.
Black
2mn43 color stéréo 2013
France
by Antony
Jacob
self-production
self-distribution
Dusk of places... A progressive redemption of look ; short existence of light here low.
Bones
3mn23 color & b/w stéréo 2012
Canada
by Camille
Jemelen
self-production
distribution : Groupe Intervention Vidéo
A split-frame collage of Super 8 footage pans and mirrors decaying tree trunks scattered along British Columbia’s shoreline.
Bonne nuit, les petits
4mn15 color stéréo 2011
Russia
by Jean-Marc
Boulard
self-production
self-distribution
First day of summer. A 360° chromatic nightmare study at dusk.
broken time
1mn color & b/w dolby stéréo 2011
Austria
by Johannes
Gierlinger
self-production
self-distribution
Like Jeanne d'Arc in front of the scaffold, clueless. Finally, a fight, they come to get her, the redeeming handshake. Out of the hands, on the hands, that’s how you can read broken time: because something is eliminated, combed, scratched and lovely caressed. Perhaps the velvet glove is the connecting through time. For an alliance it´s taken off. Something is sealed: memory and dream play off against each other, the best fighter will be adopted. And ultimately it burns to ashes, the famous story, it was all a dream. Maybe she was the boy that she kissed, at least she resembles him. The image section and traces on the material are covering the secret. Serious men come up to exterminate her. "Deform Your Dreams" as the only liberation. (Text: Jan Zischka)
Buck Fever
5mn51 color stéréo 2012
France
by Michaela
Metzger
& Friederike
Kersten
self-production
distribution : KurzFilmAgentur Hamburg
The video film Buck Fever is a You Tube collage of hunter amateur recordings. The video documents the hunters tension before and its release after shooting an animal. After wards the big game hunter were posing in front of the camera and expressing their emotions.
Castaway
14mn color stéréo 2012
Canada
by Isabelle
Hayeur
self-production
distribution : Groupe Intervention Vidéo
Castaway was filmed in the murky waters of Witte’s Marine Salvage at Staten Island (New York). The largest boat cemetery on the Eastern Seaboard, this uncanny, desolate place is the final resting place of numerous wrecks of all varieties and several eras: ferries, barges, fishing boats, old steam tugs. Located near New Jersey’s Chemical Coast and the former Fresh Kills landfill, these now toxic shores have seen their share of ecological disasters.
Catálogo de escenarios para la muerte de Pier Paolo Pasolini
48mn color & b/w stéréo 2011
Spain
by Chus
Dominguez
self-production
distribution : Jesus M. Dominguez
Following the trip Pasolini made in 1959 along the entire coast of Italy as a reporter for the magazine Sucesso, they where located different places as possible scenarios for his death. This catalog offers the viewer the possibility of redemption of the rebellious individual or the questioning of our acceptance of the critical difference.
Caught Inside The Density Of Existence
1mn27 color stéréo 2012
United Kingdom
by Patrick
Rowan
self-production
self-distribution
Filmed through the viewfinder of an SLR camera, this film utilises the uneven and undefined black frame produced, and the ability to manually change the focus. The film alternates between different sequences of footage, frame by frame, with some parts intentionally shot out-of-focus, creating an intense, layered and complex environment.
CCCP
22mn11 color & b/w stéréo 2012
Lithuania
by Marija
Linciute
self-production
self-distribution
In this video I tell about daily life during the Soviet Union through my childhood memories as well as the memories of others around me who lived the same experience.
Chapeau-poulpe
18mn38 color stéréo 2013
France
by Mathieu
Calvez
self-production
self-distribution
The strike show take easy on the social cruises where it looks the past. But once income in full fiction, the choose find the fall of every protagonist and so opens the object broken in its new freedom.
Charade
8mn30 color stéréo 2013
USA
by Salise
Hughes
self-production
self-distribution
Based on, and using manipulated footage from the 1963 film of the same name, with Cary Grant and Audrey Hepburn. The film is about a man who is constantly changing his identity.
Cheminant#1
4mn50 color stéréo 2012
France
by Carole
Contant
self-production
self-distribution
Bruno quiguer first steps on the dancing way.
Confusion is my birthright
3mn19 b/w stéréo 2012
France
by Dorianne
Wotton
self-production
self-distribution
Isolated in an inert world throbbing, so white, hallucinated, evaporated, she roams, sleepwalking wandering in a strange land where she has disappeared ... ...world of muffled noises, discolored, disarticulated, gasping, panting. She floats to her inviolable island, untouchable. And she sees herself splitted, choked. And she sees herself without bonds nor any support, except, except... oh sweet pills! And she sees herself freed or enslaved, high, high, high ... And she sees herself ...
Coreutica A
10mn b/w stéréo 2013
Chile
by Jorge
Catoni
self-production
self-distribution
Taped on “La Vega Central” (open market in Santiago, Chile. Winter 2012) About how we draw our days without hope, how we dance invisible is this reality, how we wander surrounded of indifference.
Crop Duster Octet
5mn30 color stéréo 2011
USA
by Gregg
Biermann
self-production
self-distribution
In Crop Duster Octet, the iconic “crop duster”sequence from Hitchcock’s North by Northwest in which Cary Grant is repeatedly attacked by a small airplane swooping from the sky is deconstructed into eight horizontal bands, each of which is slightly out of synch with the next. As the scene (and, in particular, Grant’s body) is continuously deconstructed,the patterns of action are refigured and intensified, culminating in a crescendo of convergence. -- Jaimie Baron, LA Filmforum
Culture, This period is considered
4mn09 color & b/w stéréo 2012
USA
by Brice
Bowman
self-production
self-distribution
"Culture, This Period is Considered" is about culture deprivation through inept city management producing stupid communities that consequently don't know the difference while living their lives in ghost towns of what could have been.
Dance Dance Fire Dance
6mn40 b/w stéréo 2012
Portugal
by Pedro
Ferreira
self-production
self-distribution
Fire dances. Smoke dances hypnotically. Fire dances with the dancing smoke.
Davanti
5mn25 color stéréo 2013
Italy
by Salvatore
Insana
self-production
self-distribution
In front of my eyes there are your faces, in front of my lens there are your activities, in front of my soul there are your monsters. Looking out the window with tremble and fear, capturing the neighbours' external interface. But that's not a peep inside, is a dwelling on what comes out.
Deltitnu
19mn15 color stéréo 2013
Italy
by Alessandro
Sau
& Maria Rosaria
Soldi
self-production
self-distribution
Based on 'The 120 Days of Sodom' by the Marquis de Sade, 'Deltitnu' is the main title for a work formed by two episodes. 'The four fuckers' is the first chapter of a story that deals with the problem of image in relation to language. Aesthetic categories of taste are questioned as linguistic rules of perversion and domain on image. The language which does not subjugate itself to image, and on the contrary it makes image slave to it, ends up revolving within itself to the ultimate meaninglessness of shit. The second chapter , 'Veris leta facies', emphasizes the intrinsic relationship of vice with taste, which is behind the gradual decline of image's power in favor to every other value legitimized by art history and men of good taste. This video shows how such overpowering link between language and image, not only subverts the anthropological values of image itself, but it also throws back in crisis the artist and his traditional role of creator.
Dérives
16mn26 color stéréo 2012
France
by Cécile
Ravel
self-production
self-distribution
Currents carry away the memories and portraits of my family that history has tossed from one shore of the Mediterranean sea to the other. The wish to remember dialogues with the will to forge, in a pendular movement between moving memory and frozen remembrances, unstable geographies and petrified portraits
Deslinges & Drapeaux
6mn15 color dolby stéréo 2013
France
by Frank
Gatti
self-production
self-distribution
Women Marseille 2013 (a certain textile art).
Displacement
7mn20 color & b/w stéréo 2012
Croatia
by Liliana
Resnick
self-production
self-distribution
A woman experiences the sudden realization that time is not linear, but that the past, present and future spiral within her simultaneously.
Disturbdance
3mn25 color stéréo 2012
United Kingdom
by Guli
Silberstein
self-production
self-distribution
A poetic video work: a young woman is blocking two armed soldiers from firing at protesters in a Palestinian village. The image is digitally processed and slowed down. The soundtrack is replaced with lyrical music. The scene is turned to a peculiar romantic dance, highlighting the magical and rare human connection formed for a brief moment, captured and transmitted by digital technology. The work deconstructs oppressors-protesters conflict, crystallising it to one on one poetic encounter, and at the same time offers an alternative in the young woman's action.
do as Atsuko do
2mn56 color stéréo 2013
Sweden
by Antti
Savela
self-production
self-distribution
...the contrast by the small female figure - drinking coffe, smoking etc, in order to give the impression to the watcher of a peep in a private domestic act - and the tall male figure give a special hint of irony to the video, bringing together a glance on the solitude and the poetics of making small everyday things...
Downbreak on 1, Upbeat on 2
3mn38 color stéréo 2013
New Zealand
by Brit
Bunkley
self-production
self-distribution
Salsa is a syncretic dance form with origins from the Cuban Son (circa 1920s) and Afro-Cuban dance. This style of dance has made an entry in a big way to New Zealand in recent years. It is a raucous, sexually overt style of dancing; whose videoed silhouetted dancers and feet bathed in the gentle cerebral soundtrack of the group Deaf Center (with their permission) creates an otherworldly nostalgic presence. http://vimeo.com/55584080
E 412b
1mn color stéréo 2011
France
by Pauline
Horovitz
production : Quark Productions
distribution : Quark Productions
Hymn to junk-food.
Ébranlement
1mn53 color sil 2011
Canada
by Benoît
Dhennin
self-production
self-distribution
From the head to the feet, I'll shake my life.
El Angel Caído (l'ange déchu)
4mn color & b/w sil 2011
Spain
by Chus
Dominguez
& Elena
Córdoba
self-production
distribution : Jesus M. Dominguez
“Nature has endowed the wing with the power of lifting the heavy to the heights where wells the race of the gods. Of all physical things, it is the most involved of the divine”. Phaedrus, Plato
El Oso Verde
3mn30 color stéréo 2011
Germany
by Sylvia
Winkler
& Stephan
Koeperl
self-production
self-distribution
A green bear is begging for money in the streets. Passers-by find themselves confronted with the well known logo of a bank which suddenly appears as a precarious walking-act in public space.
Eleg
8mn17 color stéréo 2012
Germany
by Stefan
Demming
self-production
self-distribution
The Budapest bathing culture is a rich cultural heritage. But while inside, there's mainly tourists swimming, dissonant sounds from outside seem to disturb the flow of images ... On observing people's bathing in different baths of the hungarian capital, a speech from the off is heard: Balázs Nagy Navarro talks on occasion of a hunger strike agains media manipulation in public media in december 2011. The rhapsody as a poetic composition refers to the "good old times" that seem to be preserved in the baths of Budapest. Many residents can't afford regular visits of the Széchenyi or Gellért bath while Lukács is mainly frequented for curatorial reasons. The recordings were made in 2009 and 2010 at different seasons. The idyllic image of the baths doesn't seem to be more distorted by the modernization to wellness temples but by the changed political situation in the country. Not only since the controverse media laws of Orbán's government there's international worries about the future of democratic freedom in the country. Navarro and others protested against a singular case of manipulated reporting as well as the media policy of the rightwing Fidesz-government in general. As a consequence of this protest Navarro, who was previously employed by the channel that he protested against, has been suspended from his work. In his speech as well as in the sentimental goodbye-song at the end of the video the word "ELÉG" is central: it is ENOUGH.
Embraced
43mn05 color sil 2011
USA
by Brice
Bowman
self-production
self-distribution
Despite not having much belief in my ability to explain my movies and indeed the want to not waste my time as I am an image maker and not a writer (as is clearly evident) I recognize it is at minimum ironic there are certain films of mine in making them words flow out of me in what I would describe as automatistical, to use an early mondernity concept (which is not so surprising given at a point in my history I was highly involved with Abstract Expressionism, a movement I completely reject now as flat out wrong). The idea of my film Embraced is connected to the embraced manner art embraces artists and the way in which an artist embraces art not so dissimilar to lovers. Beyond this I suppose worth noting is that Embraced also is another of my films that seeks to record and express the atmosphere possessed by certain places that are "charged" from previous noteworthy art having been created in that specific place, and EMBRACED is a product of this intrigue. Embraced is filmed in Arles, France during autumn 2011. During this period I was involved in making a new film in the region and thus was out looking for appropriate geographical places to shot and was in fact solely using my artistic senses as a compass to decide as where next to wander and film. This lead me to a field not previously known to me where I spent the entire morning and entire afternoon filming trying to capture "this place"-- only to quite joyously discover at the end of my day that I had been filming in a field that Vincent Van Gogh had painted in during 1888. I found it very satisfying (to say the least) to know that two artists at different points in time artistically migrated to the same geographical place intrigued to capture that which is inherently there and "that there" only to become ever more charged subsequent to profound art being created there adding to the mystic of the geographical milieu of a place.
Encre
3mn18 color & b/w stéréo 2012
France
by Antoine
Miserey
self-production
self-distribution
Portrait of an absence. The unknown of the Seine is a not identified young woman whose death mask becomes a popular ornament on the walls of artists' houses after 1900 Antoine Miserey
Ese momento particular
1mn color stéréo 2012
Spain
by Montserrat
Rodríguez aka nyx10110
self-production
self-distribution
"That particular moment". After a long walk around the lake, you feel good. You stop to observe the nature, absorbed ... The reflections of the trees in standing water relaxes you. Still hear the sonority of the urban life in the distance, more or less away. But are abstracted. Your focus is 99% at that particular moment. The wind, the birdsong ... Sounds. It seems that no problem of daily life is important. It is like daydreaming. But there's always something, that 1% that makes you return to reality and move forward ...Noises. It is the rhythm of the life, a flow of sound and visual movement, more or less controlled and orderly. It is sometimes long and sometimes short, you will relax or tense.Sometimes altered abruptly and surprises you. Interrelated whole, nature and civilization. The life filled with these particular moments, at your own pace.
Etude A
1mn21 color stéréo 2012
USA
by Joy
Whalen
self-production
self-distribution
ETUDE A is part of a series of works made in collaboration with Chicago based band SONOI. It is a compact, etherial piece, conveying a series of hand gestures moving through an otherworldly space in sympathy with the music.
Fallout
4mn30 color stéréo 2012
USA
by Paul
Turano
self-production
self-distribution
A futile gesture marking the one-year anniversary of the collateral calamity at the Fukushima nuclear power facility, surveying a more invisible tsunami. Scientific predictions of the residual effects are undercut by the cheerfully benign day-glow colors assigned to the threat. A gradual contamination of the image, gives way to an irradiated bloom.
Feed
3mn38 color stéréo 2012
USA
by Coalfather
Industries
self-production
self-distribution
Eating, crying, sleeping.
Fill Up The Space
4mn02 color stéréo 2012
Italy
by Salvatore
Insana
self-production
self-distribution
Nervous spidery spirits looking for a body (language) - theirs probably – moving along in a space-time lapse without any shape, without any edge, borderline, in liquefaction. Filling up that space-time, to not suffer too much the temptation to sink into. Fill up the space by the void or by the human corpses fighting to float in that white magma formerly known as unconscious.
FIlm noir (de fumée et de misère)
23mn25 color stéréo 2012
France
by Jean-Marc
Boulard
self-production
self-distribution
A Film noir as pattern, a love story as a background. but here it goes too with the judgment of our mind as it goes with Merleau Ponty's trees on the avenue: we might as well intervert background, objects and in between things. Image says or sings and sound shows or writes. Don't forget that the reconciliation, the coïncidence of sound and image during a thunderstorm is a lightening strike, in other words a possible death. So don't hope for any..
Finis Terræ
20mn25 color stéréo 2013
France
by Jean-Marc
Boulard
self-production
self-distribution
The mythic birth and incarnation of a cross-shaped landscape in a region of France called "The end of the Earth" by the Latins and dominated by a 330m high hill called Hom, pronounced "Homme" - Man but it could be Home as well.
for w.g. sebald (travel without travel)
4mn39 color sil 2011
USA
by Stephanie
Barber
self-production
self-distribution
A collection of titles from a honeymoon trip around the world in the early 1950's. The poetics of the words assert themselves, diminish the images which are tethered, physically and as regards our understanding of place, to the names of the sights. The entirety becomes a moving and concrete poem.
Forsaken
4mn30 color & b/w stéréo 2012
Canada
by Heidi
Phillips
self-production
self-distribution
In Forsaken, Phillips again abstracts images selected from found footage, this time exploring such techniques as contact printing and hand tinting and toning. Muscle men, machinery, and building climbers become foreboding figures in this darkly apocalyptic film.
Fragments untitled #1
6mn50 color stéréo 2012
Serbia
by
Doplgenger
production : Doplgenger
distribution : Doplgenger
The famous speech of Slobodan Milosevic, which took place at Kosovo on June 28th 1989, was performed in front of the thousands of people. The National television was streaming it. This event, as known as “happening of the people”, is embodied in the image and the speech of Milosevic. History regards it as a presage of the collapse of Yugoslavia and the bloodshed of the Yugoslav Wars. Doplgenger vivisects media footage and TV stream of the 1989 event in order to denote the invisible and deconstruct the memory.
Frankie
5mn11 color & b/w stéréo 2012
Italy
by Rick
Niebe
self-production
self-distribution
Frank Sinatra swallowed up by a TV whirlpool mash up.
G/R/E/A/S/E
22mn color dolby stéréo 2013
Spain
by Antoni
Pinent
self-production
distribution : Light Cone
Vinyl and Celluloid Party. […] Sandy / Danny / Sanny / Dandy / ... both faces at the same coin-frame. A new (sub)version film… all from the original Grease (1978). Recycled period for the cinema. Eco-image. Work with the hands, nowadays the materiality of the support at the digital era. […] The challenge to go further with the technique of "Film Quartet" (35/4). Behind the images there is the influence of Dziga Vertov, Mimmo Rotella and Christian Marclay (body mixes). «I just got another movie role. I play an art teacher in Grease. Eve Arden is the principal, and John Lindsay is somebody, and John Travolta, the star of Grease, is in it.» [Andy Warhol. June, 1977.]
Give and Take no. 02
3mn21 color stéréo 2012
USA
by Joy
Whalen
self-production
self-distribution
In give&take no.02 there a strong sense of movement that alters our sense of perception and engages feeling. Hands forms dance along a shadow on the wall, at first it is just a reflection- but this morphs into something truly singular which soon passes into the realm of the suggestive.
Give and Take no. 06
3mn38 color stéréo 2012
USA
by Joy
Whalen
self-production
self-distribution
Here, we witness the honest, nearly sentimental, grappling’s with the ethereal nature of love and it’s loss as the subject in give&take no.06 mourns her own to the point of slipping into abstraction. This work handles a moment where in spite of best efforts a love flickers out…as it sometimes is known to do.
Go Burning Atacama Go
5mn40 color & b/w dolby stéréo 2012
Italy
by Alberto
Gemmi
production : Caucaso Factory
distribution : Caucaso Factory
Go Burning Atacama Go is a reflection on the concept of memory and time after the violent departure of a friend. A film of organic suffering as a way to go beyond this pain, something I like to define as «cinema-therapy».
Hasta Nunca
80mn color stéréo 2012
USA
by Mark
Street
self-production
self-distribution
"Hasta Nunca" follows MARIO LIGETTI, a middle aged hipster DJ who produces an underground radio show in Montevideo, Uruguay. On his show Secrets and Stories he invites listeners to share their intimate thoughts with him and a live radio audience. Mario re-negotiates his public and private personas during the course of the film and enters into an extra marital affair with JULIA, a divorcee searching for a new artistic spark. In this international production (USA, Uruguay) each call in to the show was written and performed by local actors. Topics addressed in telephone conversations: lingering effects of the military dictatorship in Uruguay, the difficulty of obtaining an -illegal- abortion and varied identity issues. Ligetti’s show is a modern rollicking Miss Lonelyhearts, with its host increasingly suffocated by the personal predicaments of his listeners. Shot in cinéma vérité style, Hasta Nunca reveals Montevideo as a strong background character in the film’s visual landscape. Callers' voices on the radio provide an acoustic counterpoint for an observational investigation of this ramshackle port city which retains the architectural vestiges of its colonial past.
Hex Suffice Cache Ten
12mn42 color stéréo 2012
Germany
by Thorsten
Fleisch
self-production
self-distribution
A surreal escape of a disintegrating mind into neon-lit nightmares from a discarded future. Suddenly interferences from sub-particle proliferation occur within the protagonist's body, a transformation can't be avoided. This exploration of cinematic space within an implosion of cerebral space is a daring tale of aliens, experiments on humans, video games and mutation. It is showering the unsuspecting viewer in handmade visual and aural stimuli from planet Fleisch.
Hidden Nippon
3mn17 color & b/w mono 2011
Canada
by Adrienne
Marcus Raja
self-production
self-distribution
What one will experience is a journey in finding the unspoken world where the sun sets through documentations of the hidden history of Nippon. This is the artist's response to these struggles and her interest in following and learning more of events such as these.
Hill Film
2mn02 b/w stéréo 2013
United Kingdom
by Benjamin
Fox
self-production
self-distribution
A short tactile excursion up and around St Catherine's Hill, Winchester, in an English Midwinter. Animated textures permeate the stark landscape, to a hauntingly atmospheric soundtrack.
Hologram Analogies (aka Cram Engram)
19mn55 color stéréo 2012
USA
by Dustin
Zemel
self-production
self-distribution
Single shot documentation (filmed on a cell phone) of an evening ferry ride from Staten Island to Manhattan; "Hologram Analogies" explores ideas nestled in the spaces between experience and mediation, memory and re-memory, past and future.
I am Home Less
33mn08 color stéréo 2012
USA
by Brice
Bowman
self-production
self-distribution
"I Am Home Less" takes a rigorous trip through the idea of and realities of home with the eventual realization that home as we inherently presumed it would be is never available. As this discovery demands another look, an informed look at a future infested with hallucinations dooming us to wander bankrupt as delusional observers of life without an available meaning to life, and realizing there is no rational answer to the question, what next, as human beings pass through varying levels of consciousness eventually merely disintegrating unnoticed by the preoccupations of passers by.
Icare
5mn57 color stéréo 2013
France
by Antony
Jacob
self-production
self-distribution
It is thanks to the stars not the same that the background sky glow burned my eyes see only memories of sun...
Illusion
0mn48 color stéréo 2011
Sweden
by Anders
Weberg
self-production
self-distribution
Illusion captured with the iPad.
Images-Animal-Images
4mn35 color & b/w stéréo 2011
France
by João Cristovão
LEITÃO
self-production
distribution : HEURE EXQUISE !
Image of the animal, its life and its death in two boards. Image filmed by the animal, its life and the death which it gives.
Inability of Being Nude
2mn45 color stéréo 2013
Germany
by Wilfried
Agricola de Cologne
self-production
self-distribution
The moving picture takes the classical theme of the “nude” in a contemporary interpretation as a psychological condition. The viewer is confronted with different levels of movements of baring/exposing, but is disturbing intimacy, the process of emptiness. Emptiness in the sense of meditating. The nude is a metaphor. The Inability of Being Nude becomes the inability of exposing one’s entire internal to other people, including those who are most intimate and this could be the viewer himself. This inability is in the same way protecting as separating.
Iris gets ready for her date
6mn04 color stéréo 2012
USA
by Cynthia
Berkshire
self-production
self-distribution
A raw, meditative look at IRIS's unsettling angst as she digs lines in the sand in preparation for her date. Created with the support of an Artward Bound Residency, the film will be projected in an evening-length performance project, IRIS GETS READY FOR HER DATE.
It begins with roots
10mn color stéréo 2013
United Kingdom
by Lin
Li
self-production
self-distribution
With a narrative which meanders between factual information and personal reflection, ‘It begins with roots’ is a video essay using the roots of Banyan tree as the starting point for more contemplative associations. The visual images do not just illustrate the narrative but point to the underlying meaning of what is said. Drawing on the artist’s own experience, this video touches on a number of subjects including migration and otherness, and impermanence and mortality.
Je ne suis pas une voiture, ni Vincent Van Gogh
5mn47 color stéréo 2013
France
by Carole
Contant
self-production
self-distribution
Selfportrait in an hospital
Kaléidoscope
2mn57 color stéréo 2013
Serbia
by Milan
Zulic
self-production
self-distribution
My eyes are a kaleidoscope.
Keres
9mn color stéréo 2012
Spain
by Alfonso
S. Suárez
production : Verité de Cinematografía
distribution : PROMOFEST
In Greek mythology The Keres were female spirits of death and fate. Now, one of them will tell us "The story of all stories," which unfolds in the most terrible battlefield: within ourselves.
L'intraitable
16mn29 color sil 2013
France
by Frédéric
Labonde
self-production
self-distribution
In CAMERA LUCIDA, author Roland Barthes writes : "The name of Photography's noema would be : "This-has-been", or " the Intractable" . THE INTRACTABLE is a video of numerous appearances and disappearances taken from 23 Super 8 film reels shot by my father. THE INTRACTABLE is part of an ongoing reflection on the theme of childlessness, assembling various videos, photographs, and a ditigal piece, relating to another film of mine entitled Humus.
La brasse coulée
20mn03 color stéréo 2013
France
by Roselyne
Frick M
self-production
self-distribution
Experience in sound and image, between sleep and waking, between inspiration and expiration, stories of water and ... the International!
La dame, le café et Jesus
8mn18 color & b/w stéréo 2013
France
by Sarah
Balounaïck
production : on n'est pas bien là ?
self-distribution
In Southern Estonia, an old lady invites us over for coffee. A mystical experience.
la lumière, les roches
1mn31 b/w stéréo 2013
USA
by Dan
Nadaner
self-production
self-distribution
The experience of swimming in a cold lake in winter, seeing the play of light and rock, change and constancy. It is a moment of heightened body sensations amidst emotions of risk, sorrow, and hope.
La vie de fraülein Erzebeth est une sorte de chaos organisé.
12mn01 color stéréo 2012
Belgium
by
Les soeurs h
self-production
self-distribution
Fraülein Erzebeth’s name is rather outlandish She is something of a fright too In a strange / low-brow / English-French she conveys to us a childhood memory that is as weird / poetical / as it is tasteless Doubts linger on, while the unspoken steals in And our imagination insidiously steals into the gaps of this story
Le Chemin des Glaces
22mn color & b/w sil 2013
France
by Philippe
Cote
self-production
self-distribution
By feet, by boat, by train, this film, shot in super 8mm, leads us from the old New York to the snowded et iced lands, farer in the North, through a white progression.
Le deuxième principe de la thermodynamique appliqué au mythe de l'éternet retour (PR1)
7mn color mono 2012
France
by Charles
Ritter
self-production
self-distribution
Gone with the wind.
Le Dobermann, histoire et caractéristiques
4mn30 color mono 2012
France
by Fabien
Rennet
self-production
self-distribution
Documentary.
Le noir subit
4mn15 color stéréo 2012
Romania
by Daniel Nicolae
Djamo
production : independent producer
self-distribution
This video represents an allegory on darkness and light, black and white, and it is a metaphor of how I met Tatevik, my partner. We were not suppose to meet, having done so by true and absolute chance twice in one day - both having to part towards other cities just days after we met.
le penseur
17mn11 color stéréo 2011
Germany
by
the[video]Flaneu®
self-production
self-distribution
a meditative experiance of the[video]Flâneu® and his camera facing in silence one of the “original copies” of the famous sculptural masterpiece auguste rodin’s “le penseur” (=the thinker) at the alte nationalgalerie berlin on february, 16, 2003 at 5:10 pm smiles, photos, gazes and thinking, perception and significance of the artwork, significance of the artist, significance of the viewer in relation to the artwork, significance of the art/museum system... or ...the artwork as observed by the spectator / the spectator as observed by the artwork, the artwork as observed by the artist / the artist as observed by the artwork, the spectator as observed by the artist / the artist as observed by the spectator... a work made [like always] without tripod - without camera moves - without zooming without special lighting - without extra microphone - without permission... the sound and the length of the shooting are the original
Les appétits humains
5mn57 color & b/w stéréo 2013
France
by Antoine
Miserey
self-production
self-distribution
In promise and in despair of any revolution. " The human appetites " It is the man who crosses what we have end ', for it of vorer the rests. Because her(it) me watered fabric has ` the re' putation of e^tre infide`le. He(it) tries to fix it to his(its) reality, so as long is that he(it) manages there and to suppose that he(it) have one there?
Les Bijoux
3mn41 color stéréo 2012
Canada
by Julie
Tremble
self-production
distribution : Groupe Intervention Vidéo
In the video The Jewelleries, the artist revisits the position of woman/object through the performance of herself positioning her body as a jewel, a precious diamond. Beyond old-fashioned feminism, the artist settles on her own podium and becomes the star of her own movies. She abandons the static image to become a woman in/of action in full possession of her mise-en-abîme.
Les lunettes
1mn color mono 2011
France
by Pauline
Horovitz
production : Quark Productions
distribution : Quark Productions
History of a collection.
les mystères de paris I
2mn22 color stéréo 2011
France
by
the[video]Flaneu®
self-production
self-distribution
the first p.art of a new paris.made [video]series with the title: les mystères de paris* a ko.incidental documentary take, an (un)usual moment taken on june 26, 2011 at 2 p.m. with a normal digital video apparatus without tripod - without camera moves - without zooming without special lighting - without extra microphone - without effects the sound and the length of the shooting are the original there are no cuts in the scene *The Mysteries of Paris (French: Les Mystères de Paris) is a novel by Eugène Sue which was published serially in Journal des débats from June 19, 1842 until October 15, 1843.
Lettres mortes
3mn10 b/w stéréo 2011
France
by João Cristovão
LEITÃO
self-production
distribution : HEURE EXQUISE !
La force d'un huis-clos: une fillette acculée devant un tableau noir. Des hommes qui définissent la loi. Un petit garçon qui apprend son futur rôle. Les autres fillettes se sont enfuies. Toute l'histoire de la condition féminine cernée en quelques secondes. "Une femme qui exerce son intelligence devient laide, folle et guenon". Proudhon "Les sciences, les langues et l'histoire seraient à la femme non seulement inutiles mais nuisibles. Elle ne pourra connaitre que les arts ménagers et les travaux d'aiguille... Sa gloire est dans l'estime de son mari." Rousseau "Emile".
like rats leaving a sinking ship
24mn33 color stéréo 2012
Germany
by Vika
Kirchenbauer
self-production
self-distribution
Partly based on the author's psychiatric assessments diagnosing her with "Gender Identity Disorder," Like Rats Leaving a Sinking Ship is an intimate piece that combines personal subjectivity with the clinical objectivity of medical reports, challenging the very notions of these categories. As evocative images inconspicuously blend with found family footage, a multilayered reality emerges in which the distinction between what is true or false becomes unimportant and obsolete.
Little Girl with Gorilla
1mn15 color sil 2013
Portugal
by Jonathan
Franco
self-production
self-distribution
A little girl stares at a gorilla.
Living on the Edge
3mn20 color stéréo 2012
Canada
by Aaron
Zeghers
self-production
self-distribution
An anthropological peepshow of Kingdom Anamalia's state-of-affairs via frame-by-frame super 8. This animal's history of wreck and ruin the catharsis of a (formerly) lapsed vegetarian.
Living Things
13mn35 color & b/w stéréo 2013
USA
by Jeremy
Newman
self-production
self-distribution
"Living Things" critiques the depiction of gender and science in Cold War era B-movies. In these films, women are victimized as science goes horribly awry. Yet, representational violence is veiled by absurdity. This experimental video highlights the cultural anxieties, shifting gender roles and scientific progress, which fostered these representations.
Lixiviat
9mn49 color stéréo 2012
Canada
by Pavitra
Wickramasinghe
production : Perte de Signal
distribution : Perte de signal
Robin Dupuis approaches the construction of narrative structures through images and sounds that he generates and filters on home-grown computer systems. He works on digital supports, transforms the language of moving images, and plays with the soundscape to propose a contemplative experience. The abstract images and unheard-of sounds that he creates prompt spectators to “perceive” more intuitively, in what Henri Chomette once described as cinéma pur. Lixiviat | Robin Dupuis | HD | 09:49 | 2012 Lixiviat is available in single channel and in installation Lixiviat has been presented at; Espace BV, Mois Multi 11, Québec | Février 2011 https://vimeo.com/47239289 Supported by the Conseil des arts et des lettres du Québec, the Rustines|Lab of Perte de Signal and La Bande Vidéo.
Load
4mn18 color stéréo 2013
USA
by Coalfather
Industries
self-production
self-distribution
LOAD is a meditation on gun culture; the appearance and proliferation of weaponry as a backdrop to entertainment. A concocted patriotism fortifies the aura of necessity surrounding guns. In the meantime, we spend our lives shopping, driving and sleeping more or less as targets.
Locale
8mn50 color stéréo 2012
Canada
by Jackie
Gallant
self-production
distribution : Groupe Intervention Vidéo
Gazing through the eye of a microscope, abundant landscapes emerge and fade from view, highlighting the temporality of space and micro and macro states; while offering a glance into separate encapsulated realities.
Lui et moi
1mn color mono 2011
France
by Pauline
Horovitz
production : Quark Productions
distribution : Quark Productions
An impossible separation.
Lunaison
5mn55 color stéréo 2012
Canada
by Aurélie
Pedron
self-production
distribution : Groupe Intervention Vidéo
Lunar month or the movement of a body transformation. Weightlessness of the body itself, outside itself. Pregnancy, multiple bodies that multiply our views. A video that sings the praise of women.
Madame a pris sa décision, en-fin
4mn58 color stéréo 2012
France
by Jing
Wang
self-production
self-distribution
It is a metaphoric story of Madam which spends a moment in a cave outside the city. The central figure establishes two strange relations. In front of past, she shows her decision: throw and tear. The sounds put the characters in two spaces-time. Some objects in common bind them.
Mean Enough, Hot Enough
3mn30 color mono 2013
USA
by Robert
Withers
self-production
self-distribution
Music video/portrait of Rachel Haywire, in her alternative incarnation as demiurge and avatar of the electronic-industrial project Experiment Haywire.
Menu
5mn27 color stéréo 2011
Romania
by Daniel Nicolae
Djamo
production : independent producer
self-distribution
"Menu" is part of a larger project, named “Buni”, which is a journal of the last words. I started it in the middle of 2009. It’s decomposition, mental agony and self loss. This is not a documentation of death, but a mere projection of what really matters. The photos are trying to underline the immortality of the human experience with everything that surrounds him, their interior value, that is never forgotten or lost, becoming the legacy of those who are near to us, those who we love. “Buni” is not a two year study of degradation, but everyone’s story, even if it appears in rather different shapes, written or rewritten with more or less talent. Buni raised me. Although we are not related, she was more than a mother to me. I started photographing her when I saw that he is poor in health. I felt I must do it. I couldn’t stay inert. In the summer of 2010 I felt that the photographic medium is poor, considering what I felt I would like to transmit to others. That is why I chose to continue what I felt I must do through video. It is obvious that a feeling cannot be transmitted in the sharpest, truly human and real form through the use of photography, film, or text. Nothing that is inside of us can be made VHS or DVD. “Buni” can only offer photocopied images of a story distorted by our own memories, becoming a reflection of ourselves in deformed mirror. It is a continuous project, putting together more than 180 hours of filmed material and more than 1600 photographs. This work is part of this larger project, alongside other videos made out of the filmed material that I have gathered.
Mer, baigneurs et taches colorées(1)
8mn color mono 2012
France
by Muriel
Montini
self-production
self-distribution
A shot revisited 3 times
Mer, baigneurs et taches colorées(2)
7mn color mono 2012
France
by Muriel
Montini
self-production
self-distribution
A shot revisited 3 times
Mer, baigneurs et taches colorées(3)
5mn color stéréo 2012
France
by Muriel
Montini
self-production
self-distribution
A shot revisited 3 times
Mirror of my soul
3mn50 color stéréo 2012
Croatia
by Melinda
Šefcic
self-production
self-distribution
The idea of the work that I do is about blending several separate parts into one. The concept is composed of drawings, photos and video. Each part is unique for itself. Video achieves a thematic unity that is the essential characteristic of this art work. I assume that in this work the video has the concrete artistic value and the ability to specifically show one particular relationship between mind and body, and spirit and the world.
Muu
10mn color stéréo 2012
Canada
by Nelly-Eve
Rajotte
self-production
distribution : Perte de signal
Muu is an 20 min A/V performance and installation revealing images of the mythical American desert, around the theme of disappearance. The project presents itself as a Western film without protagonists. Its inherent quest is interaction with the viewer, who stands in the midst of the videographic and sonic spaces of the piece. The disconcerting mood of the soundtrack places the viewer in an ambiguous space, creating a tension within the video component and expressing vastness and emptiness. MUU has been presented at : Festival Sight and Sound / Son et Vue, Montréal, May 2011 Action Art Actuel, Saint-Jean-sur-Richelieu, June 2011 Video excerpt : http://vimeo.com/23127718 Informations : http://www.perte-de-signal.org/ Muu can be presented as a performance, an installation or a video.
natyr
4mn45 color stéréo 2013
Norway
by Ottar
Ormstad
self-production
self-distribution
'natyr' is the third video in which Norwegian artist Ottar Ormstad combines concrete poetry, images, and music/sound. This time the video is based on a work by the Norwegian painter Knut Rumohr (1916-2002) who mostly created abstract tempera paintings inspired by the nature of a fjord at the Norwegian west coast. Ormstad once again continues mixing words from different languages. A concept he presented with "Non-Translation as Poetic Experience" at the Translating E-Lit conference in Paris 2012. The word 'natyr' may not exist in any language, but may be experienced with different associations to nature. The video (HD 16:9) is made for plain screening (4:45min). Exept for the animation made by Ina Pillat, everything is directed and created by Ormstad, photography and music included.
No heaven
11mn color mono 2013
France
by Roxanne
Challamel
self-production
self-distribution
It is above all an experience for the whole team because the creation process was conducted without a script. The work was created on the basis of improvisations, the only materials were the body and emotions. We started with the idea to express specific feelings in image combining the real and the imaginary. This experimental short film is the result of a challenge in adverse conditions with little equipment. Divided into two parts, before and after the act of suicide, filmed in real time, it emphasizes the feeling of solitude and reflection. You can imagine since the choice was made not to use words, only the image and the body must speak to the bodies and minds of viewers. And the second part shows the fantastic side and dreamed the interpretation of metaphorical images of emotions and the imagination, what happens during and immediately after death, because it is a suicide.
Not Clear Cut
7mn30 color mono 2012
USA
by Paul
Turano
self-production
self-distribution
A small instance of collateral damage from the recent financial crisis, Not Clear Cut portrays the challenging decision my parents made to harvest 40 acres of 70+ year-old hardwood trees as an attempt to make up for money lost. A poetry of empathy for the trees and my parents.
Nothing in particular. AVE!
4mn41 color stéréo 2012
Ukraine
by Ne_Dva
( A + T !
self-production
self-distribution
We all have equal rights. None of them is sorted out to a separate caste. None of them is worse nor better than the other…
Nothing in particular. Loop EXITs too
3mn33 color stéréo 2012
Ukraine
by Ne_Dva
( A + T !
self-production
self-distribution
The Light divides into layers. It looks like a rectangular pool. Without water. Bottomless. Black squares: A groom's hat on horseback, Mingtang's burnt grass, a hatch in the engine room of the steamship, the Jewish Ghetto on the map of Lemberg, 1941…
Nothing in Particular. Vol_No
4mn45 color stéréo 2012
Ukraine
by Ne_Dva
( A + T !
self-production
self-distribution
As a rule, luggage at an airport or train station is transported on a small cart. In this case, instead of suitcases and bags a dog was standing on the cart. What was the dog doing there, in the heart of the city, where there were neither rails nor longerons, neither trains nor planes, neither porters nor passengers ... without dualism?
O S C E N O (O B S C E N E)
10mn color & b/w sil 2012
Germany
by Giuseppe
Boccassini
self-production
self-distribution
Super 8 and 35mm porn movies were shot with a MiniDV camera, focusing exclusively on some anatomical details. Magnifying and distorting filters, old camera lenses, cardboard tubes, glass jars, and colored plastics were also used. The deconstructive approach follows Carmelo Bene’s definition of the obscene.
oiseau de nuit
2mn50 color stéréo 2012
France
by Pierre
Villemin
& Jean
Villemin
self-production
self-distribution
Night-bird is constructed on the endless mode of tormented and hypnotic songs of the medieval folklore which make you feel dizzy.
Ondas Cerebrais
8mn color stéréo 2013
Portugal
by Filipe
Afonso
self-production
self-distribution
A conversation between a boy and an E.T. They speak of their alienation in their own worlds and the technologic differences between those two. One (E.T.) speaks of his experiences he is doing with energy, paths and canals where it circulates and unites objects/bodies. The other (Boy) speaks of its capabilities to do telepathy, among others, which others cannot see and of his strong desire to leave his world. On the image, we see a Strong Sea Storm (for the boy) and mysterious canals of energy (for the E.T.)
Oratory
2mn14 color stéréo 2013
USA
by Dan
Nadaner
self-production
self-distribution
Under the water the horizon disappears into a floating green space, inviting the mind to search for its own history, as if looking through the window of a medieval oratory.
Passengers
1mn32 color stéréo 2012
USA
by Brice
Bowman
self-production
self-distribution
"Passengers" begins with two shadows walking potentially not so unlike the two motorcyclists might pass by in Jean Cocteau's Orpheus; before the movie suddenly switches to scenes of passengers on a journey to an unknown destiny, all with strong overtones of haunting emptiness.
Patchwork TV
2mn10 color stéréo 2012
France
by Aurelio
Cardenas
self-production
self-distribution
Random television samples reorganized into a musical patchwork.
Pendulum
1mn33 color stéréo 2013
Australia
by Paul
Handley
self-production
self-distribution
Pendulum.
People
1mn10 color stéréo 2012
France
by Bob
Kohn
self-production
distribution : HEURE EXQUISE !
Filming people without a camera. Compacted, contracted, molded, kneaded, accelerated, multiplied, chained, unchained, exploded, cut up, tortured, ... .. the "Slices of Life" grind up human, to life, to death and to love. A real "shopping of life" among all the shelves of supermarkets and corner stores of the everyday life staging. Film sequences, known or not, they are gone somewhere else to play a score that wasn't their. As in music, the tone of a film is expressed by the force of its own leitmotiv, by the almost hypnotic repetition of the simple measure of his purpose.
plantsATnight
3mn51 color stéréo 2012
USA
by A. Bill
Miller
& Rollin
Leonard
& Rea
McNamara
self-production
self-distribution
"plantsATnight" is the result of a collaborative process. The artists collected and processed audio/visual materials while wandering within a dissolving forest. They found an impenetrable leaf. Momentary samples of overgrown machinery. Systems terminating and flourishing in one.
Pleure ma fille tu pisseras moins
51mn color stéréo 2012
France
by Pauline
Horovitz
production : Quark Productions
distribution : Quark Productions
Ever since Simone de Beauvoir everyone knows that ‘‘One is not born a woman, one becomes a woman’’. A baroque tragi-comedy about construction of genders, in the form of an eclectic list.
post view
5mn40 color mono 2012
France
by Pierre
Merejkowsky
production : Agiti Films
distribution : Agiti Films
All we are the Godard.
Present of Heaven Yuko Ichikawa & Yury Revich 2012
3mn11 color stéréo 2012
Austria
by Yuko
Ichikawa
& Yury
Revich
self-production
self-distribution
in 2012, I got to know Yury Revich as one of the best young violin players in the world , and we arrived an art-cooperation in the area of video-works. Photo: "Present of Heaven 2009" by Yuko Ichikawa. Violin: "Gavotte en rondeau (Bach)" by Yury Revich. preview video by download:http://www.youtube.com/watch?v=U-Mtfzo-DnA
Pretty In Pink
4mn41 color stéréo 2012
Republic of Ireland
by
Ocusonic
self-production
self-distribution
"Pretty In Pink" is visual music comprised of elements created using analog technologies, where both audio and visual components were generated simultaneously. Frequencies were transformed into visible form, assembled into a number of visual fragments and digitally re-arranged to create a rhythmic audio/visual composition.
QC2012 - Maniac Cop Remix
1mn32 color stéréo 2012
Canada
by Frédérick
Maheux
self-production
self-distribution
"You have the right to remain silent. Forever."
Quebec Transmission 163
3mn color mono 2012
Canada
by Frédérick
Maheux
self-production
self-distribution
I remember.
Récréation
2mn25 color stéréo 2012
Canada
by Victoria
Stanton
self-production
distribution : Groupe Intervention Vidéo
Rides and algorithms.
Réminiscences
3mn04 color stéréo 2012
Canada
by Nancy
Tobin
self-production
distribution : Groupe Intervention Vidéo
Réflexion sur la distance, le deuil et la mémoire, à travers les paysages de mon enfance à Piraju, Brésil.
Return to the World of Dance
7mn color stéréo 2011
USA
by Dan
Boord
& Marilyn
Marloff
& Luis
Valdovino
self-production
self-distribution
Return to the World of Dance is an instructional guide for those perplexed by the post-modern condition. Return to the World of Dance is a tribute to Fernand Léger’s Ballet Mécanique and provides self-help for those who love dance and are without the means to produce a full-scale "Le Sacre du Printemps."
Rien que le bruit de la mère
25mn04 color stéréo 2012
France
by Rima
Samman
production : Filigranes Films
distribution : Filigranes Films
A spatiotemporal trip evokes the relationship to the mother and the native land Lebanon.
Robo Cats in Titan City
5mn04 color stéréo 2012
Germany
by Paul
Wiersbinski
self-production
self-distribution
The Video Installation “Robo Cats in Titan City” reflects on issues of Science Fiction by mixing different layers of utopic and disutopic image history with parts of the last interview given by one of the most controversial German intellectuals of the 20th century, Ernst Jünger.
rotation
3mn07 color & b/w stéréo 2013
India
by Aditi
Kulkarni
self-production
self-distribution
It’s an video projecting parallel momentum and relative dimensions co-existing in between space-time model.
Scintoma
5mn color stéréo 2012
Canada
by Jaimz
Asmundson
self-production
self-distribution
A first person perspective self-portrait of the filmmaker while suffering from a migraine. Commissioned for POP Montreal's 2012 Auroratone Project . Music by Yamantaka // Sonic Titan.
SCORPION VIOLENTE presenta Mistress Cattiva in BACKDOOR ACTION - Tecniche di autodifesa femminile
4mn27 color mono 2012
France
by Fabien
Rennet
self-production
self-distribution
Music video.
Seventeen Point Plan
3mn color stéréo 2013
Germany
by Christin
Bolewski
self-production
self-distribution
After the Chinese invasion of Tibet the Tibetan government is forced to sign the Seventeen Point Agreement for the Peaceful Liberation of Tibet with the People’s Republic of China in 1951. The people of Tibet have not given up hope of somehow driving out their oppressors even after 63 years of occupation.
Si par une nuit d'hiver un voyageur
30mn color stéréo 2012
France
by Caroline
Beuret
& Lo
Thivolle
self-production
self-distribution
If on winter night a traveler, in his wandering, his errors, his erring ways, came to touch, to speak to us, to stay there. Of this erratic experience, a shelter of a few moments, one moment of aprés rest the hail. A port where from we have to leave, dive back into the thunderstorm.
Sinecdoquanon
7mn29 color stéréo 2011
Spain
by Santiago
Parres
self-production
self-distribution
I escape. I bend my entrails on suicidal Sundays. Undoing my diary of numbered hours, I look through the privileges I had yesterday. I am free to be free... inside white cell. I am dark cabala. I lie on air.
Sinfullness
1mn18 color stéréo 2012
Sweden
by Anders
Weberg
self-production
self-distribution
Marked by sin ...
Sleep
11mn20 b/w stéréo 2012
France
by Mounir
Fatmi
self-production
distribution : HEURE EXQUISE !
Since 2005, mounir fatmi has developed a project called « Sleep”, as a reference coming straight from Andy Warhol’s pop and minimalist experimental movie where the relentless image of the poet John Giorno, asleep, was shown for six hours. 32 years later, mounir fatmi is trying to reactivate this apparatus. The figure of the sleeper played by Salman Rushdie should change the way it should be seen. Instead of the “obsolete” sleep of John Giorno ahead of Warhol’s lens, the literary and polemic context would make the sleeping of the British writer necessary and paradoxical.
small choir
9mn08 color stéréo 2012
Australia
by Scott
Morrison
self-production
self-distribution
small choir (2012) was originally presented as a continuous loop installation with Beam Contemporary, Melbourne Australia. It is a rhythmic mediation of space, time and perception. It is a collage of sensory experience where what we are seeing and hearing draws us deeper into a forest forever in flux.
Songe
7mn color & b/w stéréo 2012
China
by Dragana
Zarevac
self-production
distribution : HEURE EXQUISE !
Sensitive collage, combination of disparate elements. Childhood images, cartoons, dreams and realities. Dream of distant memories. Around the feeling of growing.
Sorts
11mn16 color stéréo 2012
Romania
by Daniel Nicolae
Djamo
production : independent producer
self-distribution
Filmed at Biserica Icoanei (Church of the Icon), Bucharest, in March 2012, when a holy icon was brought.
Spectrography of a battle
3mn43 b/w stéréo 2012
Italy
by Fabio
Scacchioli
& Vincenzo
Core
self-production
self-distribution
A cinematic adventures in dark and light.
Still alive
1mn color dolby stéréo 2012
Italy
by Cristina
Pavesi
self-production
self-distribution
Revisiting the classic genre of still life, inspired by Flemish painting and by the Caravaggio paintings, shapes and colors are enhanced by the light contrasting with the black background. As in paintings subjects are in complete stillness, in videos there is fourth dimension, time, to give further metaphorical depth image. Still life, yes, but alive as ever. A surreal wind hits a bunch of flowers, improbable vibrations defeat the rule of immobility of "still life", suggesting a sense of anxious waiting.
Still alive #2
2mn56 color dolby stéréo 2012
Italy
by Cristina
Pavesi
self-production
self-distribution
Revisiting the classic genre of still life, inspired by Flemish painting and by the Caravaggio paintings, shapes and colors are enhanced by the light contrasting with the black background. As in paintings subjects are in complete stillness, in videos there is fourth dimension, time, to give further metaphorical depth image. Still life, yes, but alive as ever. A bouquet of dried roses lose its petals blown away by an improbable wind, defeating the rule of immobility of "still life", suggesting a sense of restless waiting.
Still alive #3
1mn color dolby stéréo 2012
Italy
by Cristina
Pavesi
self-production
self-distribution
Revisiting the classic genre of still life, inspired by Flemish painting and by the Caravaggio paintings, shapes and colors are enhanced by the light contrasting with the black background. As in paintings subjects are in complete stillness, in videos there is fourth dimension, time, to give further metaphorical depth image. Still life, yes, but alive as ever. A bunch of grapes changes its appearance just with changes of light; improbable vibrations defeat the rule of immobility of "still life", suggesting a sense of anxious waiting.
Still alive #4
1mn40 color dolby stéréo 2012
Italy
by Cristina
Pavesi
self-production
self-distribution
Revisiting the classic genre of still life, inspired by Flemish painting and by the Caravaggio paintings, shapes and colors are enhanced by the light contrasting with the black background. As in paintings subjects are in complete stillness, in videos there is fourth dimension, time, to give further metaphorical depth image. Still life, yes, but alive as ever. A bunch of grapes changes its appearance just with changes of light; improbable vibrations defeat the rule of immobility of "still life", suggesting a sense of anxious waiting.
Storia
6mn45 color stéréo 2013
France
by Gérard
Cairaschi
self-production
distribution : HEURE EXQUISE !
Carried by a song, images and fragments of narration intertwine. Simulacrum, magical or religious ritual, ritual of death or rite of passage, nothing is explicit in the action that deploys amongst the characters, between the extreme proximity and, at the same time, the absolute distance expressed by the gestures and bodies.
Swan Song
3mn b/w stéréo 2013
Belgium
by Anouk
De Clercq
& Jerry
Galle
& Anton
Aeki
production : Auguste Orts
distribution : Auguste Orts
Swan Song is a metaphorical phrase for a final gesture, effort, or performance given just before death or retirement. The phrase refers to an ancient belief that the swan is completely silent during its lifetime until the moment just before death, when it sings one beautiful song. What song does a pixel sing before if fades?
System Overload
6mn16 color stéréo 2013
France
by Johanna
Vaude
production : Sacrebleu Productions
distribution : Sacrebleu Productions
A system is running at top speed when an intrusion jeopardises its foundations and its dogmas, provoking a chain reaction... The machine is out of control and liberates many aspirations totally unknown and incompatible with its initial program...
tape loading error
2mn55 color stéréo 2012
Portugal
by Sandra
Araújo
self-production
self-distribution
Animation exploring the visual culture of video games and the spread of popular gif files. The imagery of Magritte's surrealist paintings gives a working platform for modular elements and texture, thus sharing, the action with layers that emulate lo-fi quality and bug / glitch images of early computer machines.
Televisão
14mn45 color stéréo 2012
Portugal
by Filipe
Afonso
self-production
self-distribution
I walk, in the night, in the city and I hear televisions. I suppose they all together could tell a story and give me a sign before I get home. It’s like an house inside and its residents’ extension to the outside, to the street and to me. I walk. Like a Ghost. I’m getting inside all these houses… But as I walk, as I get closer, I try to fix them to hear better, see more, more, more…
Ten ̶S̶k̶i̶e̶s̶
2mn35 color stéréo 2012
Canada
by Clint
Enns
self-production
self-distribution
A condensed version of James Benning's Ten Skies with the skies removed. Nothing but the clouds remain.
teresa machine
3mn color stéréo 2011
Mexico
by Paul
Wiersbinski
self-production
self-distribution
The work deals with video performance in terms of interaction with a contemporary kinetic sculpture, expanding the classic idea about the body of the performer in front of the camera.
That Sound
2mn color stéréo 2012
Spain
by Sylvia
Winkler
& Stephan
Koeperl
self-production
self-distribution
Touching lyrics literally taken.
the devil
7mn01 b/w stéréo 2012
France
by Jean-Gabriel
Périot
production : local films
distribution : HEURE EXQUISE !
You don't know what we are.
The fat lamb
6mn29 color stéréo 2011
Romania
by Daniel Nicolae
Djamo
production : independent producer
self-distribution
"The fat lamb" are part of a larger project, named “Buni”, which is a journal of the last words. I started it in the middle of 2009. It’s decomposition, mental agony and self loss. This is not a documentation of death, but a mere projection of what really matters. The photos are trying to underline the immortality of the human experience with everything that surrounds him, their interior value, that is never forgotten or lost, becoming the legacy of those who are near to us, those who we love. “Buni” is not a two year study of degradation, but everyone’s story, even if it appears in rather different shapes, written or rewritten with more or less talent. Buni raised me. Although we are not related, she was more than a mother to me. I started photographing her when I saw that he is poor in health. I felt I must do it. I couldn’t stay inert. In the summer of 2010 I felt that the photographic medium is poor, considering what I felt I would like to transmit to others. That is why I chose to continue what I felt I must do through video. It is obvious that a feeling cannot be transmitted in the sharpest, truly human and real form through the use of photography, film, or text. Nothing that is inside of us can be made VHS or DVD. “Buni” can only offer photocopied images of a story distorted by our own memories, becoming a reflection of ourselves in deformed mirror. It is a continuous project, putting together more than 180 hours of filmed material and more than 1600 photographs. This work is part of this larger project, alongside other videos made out of the filmed material that I have gathered.
The Love You Speak About
3mn41 color stéréo 2012
France
by Aurelio
Cardenas
self-production
self-distribution
A visual puzzle composed of erotic loops gleaned on the internet. Like an echo lost in the digital nebula, a voice continue to ask: "Is this the love you speak about?".
The one serious philosophical question
1mn24 color stéréo 2012
USA
by Brice
Bowman
self-production
self-distribution
"THE ONE SERIOUS PHILOSOPHICAL QUESTION is a short film poignantly recalling ALBERT CAMUS' essay "The Myth of Sisyphus" and the discussion of and about the one true, and in point of fact only philosophical quandary with its associated "why" and "why not" as "the stance" taken.
The Peril That Lurks By The Sea
11mn22 color stéréo 2012
United Kingdom
by Patrick
Rowan
self-production
self-distribution
This is an experimental film, shot frame by frame on a 35mm stills camera. The film plays with the distortion of time and reality, in it's narrative content, as well as the way it is structured together with a horizontal split screen. Throughout the film, the repetitive rhythm that is built up is often disrupted by out-of-sequence frames, that reach back and forward along the time-line, foreseeing what is to come as well as what has been and gone.
The rose garden
3mn26 color stéréo 2013
Spain
by Esther
Pérez de Eulate
self-production
self-distribution
Summer comes and the rose garden becomes an explosion of beauty and color, a nice scenario that leaves thousands of digital copies. Is it possible to have certain experiences without trace? Is photography a hobby or a necessity?
The Subterraneans
4mn37 color stéréo 2011
United Kingdom
by Toby
Tatum
self-production
self-distribution
A series of visions relayed through a heightened consciousness. These views frame the shadowy recesses that offer access to the underworld and draw us closer to the presences that lurk beyond these thresholds.
The Sun
1mn03 color sil 2012
Portugal
by Jonathan
Franco
self-production
self-distribution
Two archive photos of the sun taken during a train trip are manipulated to create a sequence of colorful energetic images. A homage to the landscape paintings of J. M. W. Turner and to the famous sun scene from Akira Kurosawa’s Rashomon.
The Tears of Man Ray
5mn31 color & b/w stéréo 2012
USA
by Brice
Bowman
self-production
self-distribution
"The Tears of Man Ray" evolves around the notion that life events that are at first pleasant memories can turn out later to become sour memories; and become regret in the deepest sense, haunting us forever, moreover, indulgences that lead to disasters, the manner in which a creative person sacrifices all of oneself for art at all costs as if they were hypnotized to out of control addictions. Other notions in "The Tears of Man Ray" are: foreignness, irony, failing while trying to recover, nostalgia based in fiction, death after life (yes I said "death after life"), and additionally life lived as a partition from reality, inaccessibility, exoticness, inability to retain something once obtained, always being on a journey, the ocean as time, and repetitive music seemingly sweet but ever so full of pain in reality with its inherent repeating error (which I put the error in the soundtrack music intentionally).
the Voice of God
9mn45 color stéréo 2011
Germany
by Bernd
Lützeler
self-production
self-distribution
If God would come down to earth and try to earn a living in Bombay, most probably he would very soon become successful as a voice over artiste, lending his voice to thousands of hindi movies and even more documentaries and public service films in India. A melo-dramatic docu-drama with voice-over in stop-motion and long-time exposure.
Things Will Be DIfferent
0mn45 color stéréo 2012
USA
by Jennifer
Keyser
& Karl
Lind
self-production
self-distribution
A short video inspired by Ruth Stone's poem In the Next Galaxy. Created for the NW Film Center's 40th Anniversary.
TORO
1mn07 b/w stéréo 2012
Spain
by José
Silvestre
self-production
self-distribution
Art or cruelty?
Transit Zone
7mn45 color stéréo 2012
Spain
by Santiago
Parres
self-production
self-distribution
How could we learn to keep quiet, at the same time, coordinated? The most intelligent thing seemed to go unnoticed, to give no signs of life or movement, perhaps prolonging the agony before being elected.
Transition Process / Un processus de transition
5mn01 color & b/w stéréo 2012
Finland
by KirsiMarja
Metsähuone
self-production
self-distribution
Moving image collage - a visual poem - of a photographer and the absurd world we live in. Are we hiding in an eternal transition process where freedom of speech & expression, equality and peaceful co-existence are only a dream?
Trip 1 - Field
5mn30 color stéréo 2011
Brazil
by Marcia Beatriz
Granero
self-production
self-distribution
TRIP 1 - Field, a dream that takes the character to her hometown. Wandering around, she collects objects during the way. Escaping, she plunges into lucid memories of a latent past.
Trip Paulista
5mn45 color stéréo 2011
Brazil
by Marcia Beatriz
Granero
self-production
self-distribution
After a night of strange dreams, she wakes up and takes some coffee to go with some psychotropics. Her hesitation arises as an invitation for a pleasant tour in the crowded streets of Sao Paulo/Brazil.
Ukhvarlal
28mn color & b/w stéréo 2011
Mongolia
by Ikhbayar
Shagdarsuren
& Bolormaa
Bayarkhuu
production : Monsonic Media Group
self-distribution
A teenage girl is growing up, but she is always downbeat and pessimistic. Through her few relationships we can see some linguistic problems approaching near. But at last, she's all alone and doesn't want anyone to interrupt her loneliness.
Un.reality
0mn55 color stéréo 2012
France
by Sandrine
Deumier
self-production
self-distribution
Staging a virtual character confronted with its own irreality, Un.reality juxtaposes virtual codes and programs of reality in a kind of fantasized screen which acts as border between two worlds.
Unboxing Eden
4mn48 color stéréo 2013
Germany
by Friederike
Kersten
& Michaela
Metzger
self-production
self-distribution
The film Unboxing Eden is a youtube collage about snake breeders and their animals. The video documents the arrival, the breeding and the handling of snakes in all shapes and sizes.
Underground
14mn08 color stéréo 2012
USA
by Brice
Bowman
self-production
self-distribution
"Underground" is a reminder of the imposed struggles the general masses face daily living under the eternal oppression of greedy landlords, greedy bankers, greedy wall street thieves, greedy back-stabbers that all manipulate poor people's limited money quickly out of their hands into the money bags of the excessively rich upper class. In the film "Underground", hear the pain and pressure the rich terrorize people with by their heartless process of "growing their businesses" and "wealth management".
Une Ritournelle
8mn color stéréo 2013
France
by Emmanuelle
Sarrouy
self-production
self-distribution
they came to this conclusion that not to sink they would have to spin, spin, spin
unfledged
5mn23 color stéréo 2013
United Kingdom
by Patrick
Rowan
self-production
self-distribution
"unfledged" is a playful yet melancholic visualisation of sound, for Patrick Rowan's experimental music project. The imagery is inspired by a childhood spent growing-up in grey seaside town of Worthing, England.
Vera Drake, Drowning
3mn color stéréo 2012
USA
by Mark
Street
self-production
self-distribution
I buried a 35 mm trailer for the Mike Leigh film in my garden and came upon it several years later. The vagaries of nature (snow, rain, ice, sun) yielded a scrupulous document of the passing of time. Soundtrack made up of ambient musique concrete and snippets of music sung by women.
View from a Boat with Exotic Woman and Fireworks
1mn39 color sil 2013
Portugal
by Jonathan
Franco
self-production
self-distribution
A man with a hat dreams of an exotic woman while looking at the seascape.
White out
1mn46 color mono 2012
Belgium
by Sandrine
Morgante
self-production
self-distribution
A woman's screaming voice, words murmured. A light moving and color's changing.
XXI
5mn color stéréo 2012
France
by Marc
Parazon
self-production
self-distribution
This film has a monolithic and uniform atmosphere. Its global feeling is anxiety, a fear of a dangerous event about to happen. In the soundtrack, we can hear a musical composition that is evolving very slowly and is made out of a unique sound material : human voices holding a note which sustain seems to be infinite. The image you can see is a simple geometric figure, almost monochromatic, which transforms itself into a more complex figure in a slow and impercetible way. The musical composition is partly based on the works of La Monte Young : a music freed from the occidental notion of rythm and from the regular pulse that indicates the passing of time. Here, the sound piece seems to have neither beginning nor end, and does not propose any outcome or resolution: it is the feeling that prevails. The geometrical figures (oblique, cross) evolve slowly. A simple bar becomes a cross. Other bars appear through transparency . In the initial monochromy, bits of colours burst out inside the figures. The minimal outlook of both sound and image are part of a global aestethics : infinitesimal variations can cause sensations of great intensity.
zig zag & Maraval Junction
4mn40 color stéréo 2012
Norway
by Astrid Elizabeth
Bang
self-production
self-distribution
This is a pair of video works made in collaboration with dancer Cecilie Lindemann Steen, drawing inspiration from a poem by Hanne Mari Førland.
[ Red Pole Dance ]
3mn43 color stéréo 2012
France
by Gilivanka
Kedzior
& Barbara
Friedman
self-production
self-distribution
This performance is inspired by the “Maypole Dance”, a form of folk dance from Western Europe still widely distributed nowadays. Here detached from its festive scope, it opens up to various readings: by turns fateful dance, endless ritual procession, or metaphor of an animal convolution.
[ Semaphore ]
2mn54 color stéréo 2012
France
by Gilivanka
Kedzior
& Barbara
Friedman
self-production
self-distribution
« Sometimes, when everywhere around darkness smothers the last breaths by its density, images come to us. Fleeting visions that play with our reason, as many isolated beacons ; enigmatic signals revealing another space-time, lost, forgotten, hidden. Troubled by the masquerade of screen memories, voices are raised ; familial and familiar exchanges take place again, for a moment, underlining the obviousness of the unspoken. Yet I had erased the traces of that other story. »