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PROGRAM MOVEMENT 2018
Videodrome 2/ 49 Cours Julien 13006 Marseille tel. 33 4 91 42 75 41
Thursday July 5, 21h & Saturday July 7, 15h30
free price
8 films - 65mn




sadescription Vortex
9mn05   color   stereo   2017   Portugal
by Alexandre Alagôa
A corridor of an apartment is transformed into a claustrophobic and vertiginous vortex that swallows and imprisons you in the infinite fall through the mise en abyme: it’s a pure enclosure inside the image world, it’s the Descent into the Maelstrom.
self-production
self-distribution
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sadescription Film Loop 34: Ryoanji
1mn30   color   stereo   2017   Japan
by Michael Lyons
Shot on 16mm film using a 35mm SLR and developed in Matchanal - home-brewed with powdered green tea, vitamin C, washing soda. Filmed at the Ryoanji dry landscape garden (枯山水) in northwest Kyoto. The soundtrack is an excerpt from 'Schianta e Brucia' by Stefano de Ponti and Elia Moretti. Images from the Film Loop Series were used in studio during the recording of this track.
self-production
self-distribution
clip


sadescription The Garden of Delight
11mn36   color & b/w   stereo   2017   Netherlands
by Michael Fleming
Three scenes reflecting on paradise, lust and hell. In ‘the Garden of delight’ beauty and evil go together like in a dream. We dive into a world of erotic derangement, inhabited by dancing lovers, lustful mutated baboons, tropical birds, deformed pin-ups, butterflies and body-builders. This hand-manipulated collage film, made entirely out of 35 and 8mm found-footage, explores the marriage between heaven and hell, our irresolvable endless conflict that goes with human nature. Inspired on the triptych ‘the Garden of Delight by Jheronimus Bosch.
self-production
self-distribution
clip


sadescription Je vous trouve tribaux
3mn06   b/w   stereo   2017   Ecuador
by Maxime Hot
Come into trance.
self-production
self-distribution
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sadescription ACOPP hard compressed 05032018 s.i.l. version
17mn47   color   stereo   2018   France
by Volker Krein
Searching for love and absolution, the hunter shoots at everything in motion like a slave to the rhythm with his box to catch images.
self-production
self-distribution
clip


sadescription Last Will and Testament
9mn09   b/w   stereo   2018   USA
by Gregg Biermann
This is the most recent work in my series of algorithmic transformations of scenes appropriated from classic Hollywood films. In this case, the montage sequence just before the climactic shootout has been repeated and sent into continuous motion from the top to the bottom of the frame, like a digital age version of Joan Jonas' Vertical Roll.
self-production
self-distribution
clip


sadescription Seance
2mn46   color   stereo   2018   USA
by Mark Street
Hand painted 35mm film collaged digitally.
self-production
self-distribution
clip


sadescription Wishful Thinking
13mn20   color   stereo   2017   Canada
by Allan Brown
Trotters come round the bend with Immanuel Velikovsky as race caller. Why can't we believe in “if” anymore. “the audio interference that he (Brown) whips up and cycles has the effect of sounding like a brewing storm. The stuttering images of horse-drawn chariots again evoke a coming apocalypse. Is Brown wishing for the end of the world, or for aesthetic gale winds that can bring order to chaos?” Greg deCuir (curator/programmer).
self-production
self-distribution
clip