PROGRAM LONG 2017
Videodrome 2/ 49 Cours Julien 13006 Marseille tel. 33 4 91 42 75 41
Friday July 7, 21h
free price
7 films - 123mn
21h, first part, 3 films - 58mn
  
 colombi20mn   color & b/w   dolby stéréo   2016   Italyby Luca FerriA couple of lovers spends together a century of life, while trends, objects and films decline towards the horror.
they will be obsessed with the octagonal knobs of coffee pots and anonymous design all of their life.
aging and slowly losing their strength, but never their clarity of mind, they will prefer excluding the outer world, darkening and shuttering their house and withdrawing into themselves, browsing through old encyclopaedias about extinct animals.production : lab 80 filmdistribution : lab 80 filmclip
 colombi20mn   color & b/w   dolby stéréo   2016   Italyby Luca FerriA couple of lovers spends together a century of life, while trends, objects and films decline towards the horror.
they will be obsessed with the octagonal knobs of coffee pots and anonymous design all of their life.
aging and slowly losing their strength, but never their clarity of mind, they will prefer excluding the outer world, darkening and shuttering their house and withdrawing into themselves, browsing through old encyclopaedias about extinct animals.production : lab 80 filmdistribution : lab 80 filmclip Call of Cuteness4mn05   color   stéréo   2017   Germanyby Brenda LienWhilst we remain safe and sound, watching the highest grossing cat fail compilation - all that is kept out of sight gets back to us in this consumerist nightmare. On a global playground, without bounds, the cat’s body is devoured, exploited and controlled - its fear of pain being stronger than its longing for freedom. Objects are fetishized and subjects made into things that are quantifiable and ready for use. They are the natural resources of a luxury they will never know. We are here because you were there – and 1 waste is dumped in the ocean. In the end, bodies reveal the causes and effects of power, pleasure and hate.self-productiondistribution : aug&ohr medienclip
 Call of Cuteness4mn05   color   stéréo   2017   Germanyby Brenda LienWhilst we remain safe and sound, watching the highest grossing cat fail compilation - all that is kept out of sight gets back to us in this consumerist nightmare. On a global playground, without bounds, the cat’s body is devoured, exploited and controlled - its fear of pain being stronger than its longing for freedom. Objects are fetishized and subjects made into things that are quantifiable and ready for use. They are the natural resources of a luxury they will never know. We are here because you were there – and 1 waste is dumped in the ocean. In the end, bodies reveal the causes and effects of power, pleasure and hate.self-productiondistribution : aug&ohr medienclip La chanson politique de Colette Magny32mn   color   dolby stéréo   2017   Franceby Yves-Marie MahéColette Magny, very early, refused the career in the show business that his voice offered him. She chooses political commitment and musical research. Blues, free jazz, collage, anti-poetry, spoken voice, song-survey, contemporary music...self-productionself-distributionclip
 La chanson politique de Colette Magny32mn   color   dolby stéréo   2017   Franceby Yves-Marie MahéColette Magny, very early, refused the career in the show business that his voice offered him. She chooses political commitment and musical research. Blues, free jazz, collage, anti-poetry, spoken voice, song-survey, contemporary music...self-productionself-distributionclip23h, second part, 4 films - 65mn 
 Munchsferatu17mn20   color & b/w   stéréo   2017   Franceby Julien LahmiMunchsferatu is a painter who became a vampire for the beloved one.self-productionself-distributionclip
 Munchsferatu17mn20   color & b/w   stéréo   2017   Franceby Julien LahmiMunchsferatu is a painter who became a vampire for the beloved one.self-productionself-distributionclip Les Yeux revolver4mn12   color   stéréo   2016   Franceby Maxime HotJohn Carpenter versus Marc Lavoine.
When images oscillate between aggression and bewitchment, gaze becomes "weapon of massive seduction". Literalities Series n°2.self-productionself-distributionclip
 Les Yeux revolver4mn12   color   stéréo   2016   Franceby Maxime HotJohn Carpenter versus Marc Lavoine.
When images oscillate between aggression and bewitchment, gaze becomes "weapon of massive seduction". Literalities Series n°2.self-productionself-distributionclip Les eaux dormantes17mn54   color & b/w   stéréo   2016   Franceby Emmanuel PitonUnder the lake, the earth draws the ways you can take. In the depth of the sleeping waters, a roar sounds, probably a comming revolt.self-productionself-distributionclip
 Les eaux dormantes17mn54   color & b/w   stéréo   2016   Franceby Emmanuel PitonUnder the lake, the earth draws the ways you can take. In the depth of the sleeping waters, a roar sounds, probably a comming revolt.self-productionself-distributionclip Los (De)pendientes24mn   b/w   stéréo   2016   Argentinaby Sebastian  Wiedemann"Sampling Argentinian critical and revolutionary films from 1956 to 2006, Los (De)pendientes offers a great step in the conception of film history. Without any words, considering the past, it tells what visual works were faithful to the real issues of their times; considering the present, it shows in which poor condition are these crucial images of life and struggle; considering the becoming, it indicates what remains to be done to reconstruct a fairest and truest history of cinema; considering eternity, it is an auratic poem of bold shadows." NICOLE BRENEZself-productionself-distributionclip
 Los (De)pendientes24mn   b/w   stéréo   2016   Argentinaby Sebastian  Wiedemann"Sampling Argentinian critical and revolutionary films from 1956 to 2006, Los (De)pendientes offers a great step in the conception of film history. Without any words, considering the past, it tells what visual works were faithful to the real issues of their times; considering the present, it shows in which poor condition are these crucial images of life and struggle; considering the becoming, it indicates what remains to be done to reconstruct a fairest and truest history of cinema; considering eternity, it is an auratic poem of bold shadows." NICOLE BRENEZself-productionself-distributionclip