PROGRAM TIME 2014
July 3, 15h30 & July 5, 19h
Théâtre des Chartreux 105, avenue des Chartreux / 13004 Marseille tel. 33 4 91 50 18 90
10
films - 66mn
Marshy Place Across4mn35 color & b/w stéréo 2012 USAby Lorenzo GattornaThe title signifies the Native American name for Assateague Island, a national seashore and natural landmark located off the coast of Maryland. A passive bay and pristine beach compose the barriers of this subtle yet stunning passage. Distractions amongst the dunes awaken development of the ecological and departure of the artificial. The film culminates in close proximity to a small band of feral horses that share a common territory and domesticated ancestry.self-productionself-distributionclip Affleurements9mn47 color stéréo 2013 Franceby Cécile RavelI edited my personal super 8 archives shot underwater, mostly in 1990. Their meaning became obvious to me, 23 years after, as the constant motion of the ghosts from my chidhood, emerging and diving...self-productionself-distributionclip Self4mn30 b/w stéréo 2014 United Kingdomby Slawomir Milewskiself = an intrinsic dimension of the fact of experiencing phenomena.self-productionself-distributionclip The hole in teeth11mn26 color & b/w stéréo 2013 Taiwanby Chuang Yu-RuAbout one boy's fantasies of sex, body, and the hole in his teeth.self-productionself-distributionclip Des plumes en enfer3mn30 color & b/w stéréo 2014 Franceby Sylvia DonisEnds of super 8 movies, dazzling and suggestive pictures, setting the tempo of a voice that makes heard the death of a love.self-productionself-distributionclip Wind Up Bird6mn35 color stéréo 2013 Australiaby Katrina Stamatopoulos & Alexandra SpenceThe subjects in this film are characters of their own worlds, their own realities. Observing from afar, you are a hidden witness. Inspired by imaginary journeys, "Wind Up Bird" is a result of an audiovisual collaboration between Sydney artist Katrina Stamatopoulos and Toronto based artist Alexandra Spence. This film is part of an ongoing project that explores the powerful and inextricable link between sound and the moving image. ‘Collecting used footage from eBay, I am always uncertain of its age, content and history. My expectations are lost as I view the films, and a journey begins to a far away land, that appears so close as if it to be dreamt or imagined.’ Katrina Stamatopoulos. ‘Wind Up Bird developed intuitively into a sound world built on undulating waves of static. The sounds, taken from my archives of field recordings and improvisations, beckon with suggestions of melody and memory, creaking, twirling and fragmented.’ Alexandra Spenceself-productionself-distributionclip History is not mine5mn color & b/w stéréo 2013 Franceby Mounir FatmiThe video HISTORY IS NOT MINE, is a direct response to the censorship of the Technologia installation at the event Printemps de septembre in Toulouse in 2012. On this occasion, the installation, combining circular forms of Koranic verses with elements inspired from the Rotoreliefs of Marcel Duchamp had been withdrawn by the organization due to incidents and protests caused by passers-by. In this black and white video, the artist, his back to the camera, is typing the title using hammers. The ribbon alone is red, suggesting that the text appears in letters of blood, in a telescoping of "the beauty of the phrase to write with violence and the difficulty of carrying it out."self-productiondistribution : HEURE EXQUISE !clip The Parting Dance3mn color stéréo 2013 Spainby Gerard Freixes-RiberaEven if a couple looks like a happy unity on the outside, on the inside each member may try to nullify the other. Editing and manipulating found footage from a musical film, this work gives a visual representation of the division in a couple in contrast with the love ideal background of Hollywood films.self-productionself-distributionclip My body of water2mn39 color stéréo 2013 Canadaby Victoria StantonAs the ideal and the real co-exist, often in a constant negotiation of perception, this work contemplates the space between desire and detachment. What’s between me and you? Between my body of water and yours? The camera accompanies me on a familiar trajectory on bike and foot along the Saint-Lawrence River. Desire lines are carved out into the path that lead down to the water, but inevitably, the water is always just out of reach.self-productiondistribution : Groupe Intervention Vidéoclip In Light, In!12mn b/w mono 2013 USAby Ken Paul RosenthalA haunting, visual essay about the awkward and angry junctures where our culture struggles to manage its emotional distress. Images recycled from 1950’s-era educational films are accompanied by original compositions by cellist, Zoe Keating. self-productionself-distributionclip