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SELECTION 2015
Videodrome 2/ 49 Cours Julien 13006 Marseille tel. 33 4 91 42 75 41
Thurday July 9 to Sunday July 12
programs space, identity, long, movement, perception, sense & time
selection 2015 / title :::: 81 films, 84 authors, 22 countries
Argentina
/
Australia
/
Brazil
/
Canada
/
Chile
/
Finland
/
France
/
Germany
/
Greece
/
India
/
Italy
/
Japan
/
Norway
/
Poland
/
Russia
/
Serbia
/
Sweden
/
Taiwan
/
Tajikistan
/
Turkey
/
Ukraine
/
USA
/
'FLIPSIDE'
3mn32 color stéréo 2014
Australia
by David Anthony
Sant
This film employs a succession of moving images from similar and dissimilar locations. The resulting project seeks to extract from these locations images of confinement, life, disorder, order, the bleak and the stifling, and then unify the moving imagery through the utilisation of scale, movement and direction.
self-production
self-distribution
[ pr. space ]
clip
3 premières fractions
18mn b/w mono 2014
France
by Guillaume
Mazloum
These fractions are the first three in a series that will count 7. Images, gleaned over the years and exposed instinctively gradually met texts that accompanied me during these years. Each fraction is related to a text whose title is an excerpt. These fractions are independent thoughts. Together they form a whole, both self-portrait and testimony. They are composite elements which, taken together, reveal the nature of this journey.
self-production
self-distribution
[ pr. long ]
clip
A Brief Portrait of The Eternal Recurrence
0mn32 color stéréo 2014
USA
by Karl
Lind
"Everything becomes and recurs eternally - escape is impossible!" - Friedrich Nietzche
self-production
self-distribution
[ pr. perception ]
clip
After Synchromy
5mn12 color & b/w stéréo 2014
USA
by Mark
Street
An homage and update of the great Norman Mclaren film.
self-production
self-distribution
[ pr. movement ]
clip
AmericaAntiAmerica
3mn45 color stéréo 2014
USA
by Neil
Needleman
A short, light philosophical video that asks questions about the meaning and power of imagery, and the nature of patriotic (and anti-patriotic) acts. It asks the questions, but it's up to you to answer them.
self-production
self-distribution
[ pr. sense ]
clip
Amort
4mn26 color stéréo 2014
France
by Yves-Marie
Mahé
Collage from 35 mm trailers.
self-production
distribution : Light Cone
[ pr. movement ]
clip
At Thirty, the Party Was Over
11mn29 color & b/w stéréo 2014
USA
by Dan
Boord
& Luis
Valdovino
« At Thirty, the Party Was Over » is a response to the contemporary poetry of South Korea. The title refers to a poem by Choi Young-mi. The present speaks to the past and the past speaks through the present to make room for the memories of all that happened.
self-production
self-distribution
[ pr. space ]
clip
au bord de la rivière
3mn07 color stéréo 2014
Canada
by Mike
Rollo
« au bord de la rivière » is an unblinking examination of the light and movement patterns that animate a river bank; an earthly mysticism in miniature, a professing of natural secrets hidden in plain sight.
self-production
self-distribution
[ pr. perception ]
clip
bitcoin
2mn33 color stéréo 2015
USA
by Adam
Trowbridge
& Jessica
Westbrook
& Oskar
Westbridge
[2011-2015] 5 ,5 ,5 ,4 ,4 ,2 ,3 ,3 ,3 ,2 ,2 ,3 ,...
self-production
self-distribution
[ pr. movement ]
clip
Business
3mn30 color stéréo 2015
France
by Heros
Thanatos
All the economic agents have authority practically permanently to resort to the ways offered by the finance.
self-production
self-distribution
[ pr. sense ]
clip
Bär
8mn14 color stéréo 2014
Germany
by Pascal
Flörks
My grandpa's past was always very present. It would break through in something he'd say or do, but he'd never talk about it. Only now, by revisiting his life and personality as I knew him, do I feel the weight of his inheritance.
production : Filmakademie Baden-Württemberg
distribution : aug&ohr medien gmbh
[ pr. identité[04] ]
clip
Catleyas
7mn04 color stéréo 2014
France
by Siegfried
Bréger
Perhaps the small musical phrase Vinteuil evoked by Marcel Proust in "Un amour de Swann".
self-production
self-distribution
[ pr. time ]
clip
Cross
4mn50 b/w stéréo 2014
France
by Christophe
Guérin
« Cross » is a course through the city. It is also an evocation of the crossroads of the city center of Le Havre, rebuilt in an orthogonal frame by Auguste Perret after the carpet bombing in September 1944. Cross is a condensation of this very special urban landscape.
self-production
distribution : Light Cone
[ pr. movement ]
clip
Deleted scenes from a non-existent film #0001
1mn25 color stéréo 2014
Sweden
by Anders
Weberg
Deleted scenes from a non-existent film #0001, 2014/08/03, video/Sound: Anders Weberg
self-production
self-distribution
[ pr. perception ]
clip
Demolished Every Second
4mn25 color & b/w stéréo 2014
Tajikistan
by John
Davis
This short work utilizes imprints from Soviet-era film leader culled from dozens of films viewed while working as an artist in residence in Dushanbe, Tajikistan in 2014. The material was largely 1980’s-era educational and propaganda films that contained a broad range of content, but had only subtle variations on more or less the same leader. Foregrounding the often ignored hand-written or machine printed artifacts found on leader, the imprints become the primary source material for a psychotronic audio/visual salvo set to an original score.
self-production
self-distribution
[ pr. perception ]
clip
Domain and Range
6mn color stéréo 2015
France
by Simon
Welch
The death of a lizard in a French vineyard triggers a series of connections that in turn raise questions about belief systems and aesthetics.
self-production
self-distribution
[ pr. space ]
clip
Eisbär
4mn22 b/w stéréo 2014
France
by Dorianne
Wotton
"During the longest night of the year, "Eisbär" v. As Yule, this title is cold and dark. The images are hypnotic, experimental and "post apocalyptic". This title is part of the concept album "Bedtime Stories," on a music by and images by Dorianne Wotton. The concept behind Bedtime Stories is to depict the dreams of a sleeper, starting at the very beginning of sleep and ending at the very beginning of awakening. We'll put into music the sensations and the actual dreams of the sleeper. The atmosphere will be both dark, slow, gloomy, organic and violent. Like all night.)"
self-production
self-distribution
[ pr. perception ]
clip
Escrituras
2mn50 color & b/w mono 2015
Canada
by Scott
Fitzpatrick
"In order to achieve abstraction, I thought it was important to find a graphic system that would allow me to codify a reality rather than represent it." An imitation of Jesús Rafael Soto's kinetic op-art sculpture of the same name, laser printed onto recycled 16mm film in 2015 (double-sided). « Escrituras » is a cameraless animation that seeks to dazzle your eyes and damage your speakers.
self-production
self-distribution
[ pr. movement ]
clip
FAG
4mn45 color stéréo 2014
Canada
by Scott
Fitzpatrick
"Really, when it comes to gay rights, there's two wars going on. The first war is political, but the culture war is over." - Dan Savage. How do you transgress in 2015? Don't bother. A personal Venn diagram, a conceptual cobbling together of interests and identifiers, a sound and animation experiment rendered in all 260 fonts on my MacBook. Please play loud.
self-production
self-distribution
[ pr. movement ]
clip
Fauna
22mn35 color & b/w stéréo 2015
Russia
by Aram
Karsi
In 2012 I started collecting 1960-70-s amateur chronicle filmed in 8mm to create audio- visual work with modern russian composer Sasha Belau. Some of the questions that interested me when i working on the film: audiovisual and forme, properties and manipulation of materials, control of light dramaturgy, creating of process (or time) which creates space and story; temporality, memory.
self-production
self-distribution
[ pr. long ]
clip
Flower Pot
2mn28 color stéréo 2015
India
by Aditi
Kulkarni
« Flower pot » is a narrative, projecting parallel and relative dimension co-existing in space-time model. It creates an experience of disorientating and dual existence for the viewer, to establish a dialogue between the multiple spaces and time that exist around us.
self-production
self-distribution
[ pr. space ]
clip
Fovea
8mn53 color & b/w stéréo 2014
France
by Emmanuel
Piton
& Pierre Manuel
Lemarchand
For a brief moment, the memory borrows winding paths where the body seems to confront the memory of a place that has perhaps never existed. Film shot in black and white film super 8 and 16mm.
self-production
self-distribution
[ pr. perception ]
clip
Fragments untitled #2
6mn10 color stéréo 2014
Serbia
by
Doplgenger
« Bolji život / A Better Life » is a Yugoslav TV series with mixed elements of soap opera, comedy and drama that aired from 1987 to 1991. Created by the Radiotelevision Belgrade it is considered to be the most successful TV show ever produced in Yugoslavia. « Fragments untitled #2 » reveals images that witness the rapid political and economic changes taking place in the post-Tito SFR Yugoslavia during the late 1980s and early 1990s.
production : Doplgenger
distribution : Doplgenger
[ pr. sense ]
clip
Ganesh
15mn color & b/w stéréo 2015
France
by Philippe
Cote
Each year, the Tamil community from South India and Sri Lanka met to celebrate the God Ganesh The film is a description of gestures, dancing bodies, attendance recorded during this festival, crossing reminiscences of my stays in India.
self-production
self-distribution
[ pr. time ]
clip
Ignotum per Ignotius
4mn08 color & b/w stéréo 2014
France
by Vincent
Capes
Under eternal cedars & cypress, we licked honey & myrrh flowing from the Spring.
self-production
self-distribution
[ pr. perception ]
clip
Il ne s'agit pas
3mn20 color & b/w stéréo 2014
France
by Samuel
Bester
Evocation of a myth.
self-production
self-distribution
[ pr. time ]
clip
Immagine
9mn14 color & b/w stéréo 2015
France
by Gérard
Cairaschi
The video "Immagine" is the story of Eve and the forbidden fruit. The first of many stories of the Old Testament in which food is involved. A religion story which takes cultures and immemorial traditions texts and evokes two wonderful trees whose fruits are able to give knowledge and immortality. Cautionary tale, common to all religions, which sets scenes constant and unfailing links between religion and food, between food and prohibits, between prohibited and transgression, between transgression and punishment. The use of secrecy, mystery, dogma, and the divine law by religions. A human construction of a system of obstruction against the legitimate hunger for knowledge and freedom.
self-production
self-distribution
[ pr. movement ]
clip
In Effluence accord; Emulsion
3mn color sil 2013
USA
by Karissa
Hahn
Musings of leeway - an illusive figure emerges from the emulsion. One strip of super 8 film is reconstructed, taped onto 16mm, and then re-filmed on the Optical Printer. The effluence according to its new emulsion - becoming a reflection of its own action.
self-production
self-distribution
[ pr. movement ]
clip
In the mood of desire
3mn color stéréo 2014
France
by Rima
Samman
A man and a woman full of sensuality, melancholy and desire.
production : Filigranes Films
distribution : Filigranes Films
[ pr. time ]
clip
incident
1mn27 color sil 2013
France
by Agnès
Quillet
I don’t make any difference between photography and video within my work. Both of them comes from my desire to create images. « Incident » is a portrait of a woman in her interior. Here the image-portrait suffers its own disappearance. In a movement, the mask of reality has torn itself apart, leaving in this gesture only a tear reached by fiction.
self-production
self-distribution
[ pr. space ]
clip
Janvier 2015
2mn19 color stéréo 2015
France
by Sylvia
Donis
Seeing the unspeakable (in)human. And then, what about living?
self-production
self-distribution
[ pr. sense ]
clip
Je n'ai fait que t'attendre
8mn45 color stéréo 2013
France
by Boris du
Boullay
Once, I switched to digital films. Since, I don’t shoot anymore, but I edit films. But unless I'm filming, unless I edit films. And unless I edit films, I get older. So I write.
self-production
self-distribution
[ pr. sense ]
clip
Je Proclame la Destruction
3mn30 color stéréo 2014
Brazil
by Arthur
Tuoto
Two shots from the movie "Le diable probablement" (1977), by Robert Bresson, are repeated in a loop, creating a cyclic and endless raccord. The constant repetition of the phrase “Je proclame la destruction” (I proclaim destruction) reveals an anarchist mantra of universal and timeless power.
self-production
self-distribution
[ pr. sense ]
clip
K.E.R.O.S.E.N.E poems from the planet
7mn07 color & b/w stéréo 2014
Finland
by Jukka-Pekka
Jalovaara
" I need to get to the space" Being a cosmonaut is a demanding task. When you are not granted a new launching pad - the task becomes nearly impossible.
self-production
self-distribution
[ pr. identité[10] ]
clip
kineticos
2mn39 b/w stéréo 2014
France
by Lionel
Retornaz
Captured in the whirlwind of a city's movements. Images slow down, accelerate and sounds keep coming back like samples. Everyday spaces becore more and more oppressive. The wandering drives us to asphyxiation.
self-production
self-distribution
[ pr. space ]
clip
L'Abbé Pierre
32mn color stéréo 2014
France
by Pierre
Merejkowsky
I'm Abbé Pierre.
self-production
self-distribution
[ pr. sense ]
clip
L'Ailleurs Toujours (2013/15)
7mn color stéréo 2013
France
by Inés
Wickmann
"ALWAYS SOMEWHERE ELSE" These images evoke the endless wandering, migration in a space where the boundaries disappearand and the borders are vague; a place that can never be reached.The walker steps are multiplied and diluted in the shadow of a random time whose end is uncertain.
self-production
self-distribution
[ pr. space ]
clip
La Machine Avalée
15mn color stéréo 2015
France
by Stéphane
Gérard
Here is the story of a machine that won't identify itself and produces images that can make you sick and give you nausea. Swallowed by some of the authorities, media makers and cultural dealers, it reproduces its stereotypes and teaches it to generations of young eyes. But not everyone is equal in front of these images. Black French youth can?t find any answer to their questions in them. By hiding their reflections in the big cultural mirror, this swallowed machine feeds our anger. Could it actually be working at its own destruction?
self-production
self-distribution
[ pr. identité[01] ]
clip
La Sécheresse
3mn27 color stéréo 2015
USA
by Dan
Nadaner
The drought in California. For four years, the snow rises, the lakes fall, the land dries, the water thickens.
self-production
self-distribution
[ pr. space ]
clip
La sémantique du mouvement
2mn35 color mono 2014
France
by Arthur
Flechard
An art critic portrays, using a voice-over narration, the practice of a robotized mower. Video archives illustrate his words. Automower 320 emancipated from its predefined task , addressing cutting the lawn on its own aesthetic concerns . In a geometric hysteria , it uses lines, planes and curves , in order to raise the sensitivity in a mechanical organization.
self-production
self-distribution
[ pr. sense ]
clip
Le fascisme à notre porte
2mn15 color stéréo 2014
France
by Yves-Marie
Mahé
French nationalism and its methods.
self-production
distribution : Light Cone
[ pr. sense ]
clip
Le mare
2mn42 b/w stéréo 2014
Canada
by Élaine
Labrie
Inspired by the Scandiniavian folk-tale of “The Mare” wherein it is a possessed woman who haunts our dreams, « Le Mare » is an experimental exploration into the liquid realm of the subconscious and nightmares.
self-production
distribution : Groupe Intervention Vidéo
[ pr. identité[09] ]
clip
Le mirage et la pierre
16mn08 color stéréo 2014
France
by Lo
Thivolle
& Mortada
Ouhaib
In Jerada, in Morocco, there are coal mines, which are not just that. And there are miners who learn by doing. There is a language that bites, that twists itself. There is a pine forest, next to a football field. And shards of life exist, between darkened pits, and intense light.
self-production
self-distribution
[ pr. long ]
clip
Life looks for life
1mn58 color stéréo 2015
Turkey
by Sirin Bahar
Demirel
This video reflects my fascination with mundaneness of the things that astronauts did on the moon and my efforts to comprehend it through mixing their most ordinary moments with my everyday videos.
self-production
self-distribution
[ pr. perception ]
clip
Malville 1977
5mn35 color stéréo 2014
France
by Yves-Marie
Mahé
Nuclear power, no thanks.
self-production
distribution : Light Cone
[ pr. long ]
clip
Marseille
2mn25 color stéréo 2014
France
by Yves-Marie
Mahé
Sexual music like french towns.
self-production
distribution : Light Cone
[ pr. space ]
clip
Mictlan
6mn color stéréo 2014
France
by Augustin
Gimel
Topographical video born from the meeting of a tunnel located at Hamburg (Germany) and Mictlan, the Aztec underworld. Circular and underground journey towards the dematerialization.
production : Centre de rotation / Gyroscope
self-distribution
[ pr. movement ]
clip
Minore
5mn15 color stéréo 2014
Greece
by Yiorgos
Nalpantidis
« Minore » is a found footage film, inspired by “Smyrneiko Minore”, a traditional song first recorded in 1918. « Minore » is an attempt for a vague description of something lost; not of a vivid recollection or a distant age, but of a missing connection, a forgotten relation to the world.
self-production
self-distribution
[ pr. time ]
clip
Minuscule faune
30mn color stéréo 2015
France
by Mitsuaki
Saito
Since 11 March 2011, all living beings is united by fate, a fate such unspeakable order that exile is impossible. The people of Fukushima-Daichi with their identity and history had to leave room for the roots of the disaster. Social issues, natural reality, the original space in the nuclear disaster lose their meaning, become more total abstractions. In the disaster, man and animal species become infinitesimal. Achieving filmic and musical composition « Tiny Wildlife » plays on the multiplicity of reporting entails this upheaval between the micro and macro, between an organic and figurative frame emergences. The drift of the banks, the views under the sea, the sky, or flush with the ground, « Tiny Wildlife » is pictorial and musical expression of this parachuted glance inhospitable land that bears the traces of exile and its alive look that resists in a fragile body-to-body with life remains.
self-production
self-distribution
[ pr. long ]
clip
Mirages
9mn50 color stéréo 2014
Canada
by Isabelle
Hayeur
« Mirages » was filmed in a residential development on Montreal’s South Shore and in the surrounding agricultural lands. We are gradually transported from one site to another, going from a fertile meadow to a desolate construction site. Transitory spaces appear, ephemeral places are set up; these metamorphoses evoke the urban sprawl that replaces rural life with suburban conditions. Those landscapes in mutation reflect the upheavals affectingour living environments and our ecosystems. They hold a mirror to the illusion of having the capacity to build when we do not even have the ability to dwell.
self-production
distribution : Groupe Intervention Vidéo
[ pr. space ]
clip
mooon
4mn35 color stéréo 2015
Norway
by Ottar
Ormstad
« mooon » is the fourth video made by Norwegian poet and artist Ottar Ormstad since 2009. The video is shot on his Samsung S4 during travels in Denmark, Sweden, Norway, Iceland, Vilnius and Berlin in 2014. Ormstad makes 'letter-carpets' based on different languages intentionally without translation and focuses on the yellow y.
self-production
self-distribution
[ pr. identité[03] ]
clip
Nero Enigma
5mn15 color stéréo 2014
Italy
by Salvatore
Insana
The human body as last bastion and first defense tool to scour and decode the world. It is mysterious the foam of our day. The reverse angle of the horizon is always impossible. A daydream in which space, time and action lose their reference coordinates and avail themselves of all obstacles to the narrative that the senses can treat yourself. Scour the senses, dig into the surface, ruining the beauty, enhance it for tampering languages.
self-production
self-distribution
[ pr. perception ]
clip
No more lonely nights
20mn45 color & b/w stéréo 2013
Italy
by Fabio
Scacchioli
& Vincenzo
Core
A degenerated melodrama. Starting from the cliché of the woman crying over a lost love, a journey begins in search of the background radiation of fiction cinema.
self-production
self-distribution
[ pr. movement ]
clip
Nocturna
4mn color & b/w stéréo 2014
Argentina
by Gabriela
Golder
The first image is of a girl who plays violin. Later, there are monkeys. People climb trees to chase them away. There is a lot of fire. Objects catch fire. A female figure falls and people dance around her. Joy or tragedy. A pig in the city. An airplane taking off. Later on, movements, tours, a train, an underground trip. Still miniature figures resemble a nightmare. The images of dictators enjoying a barbecue closes the scene. The animal, the beef, the blood. This video was made from images of the newscast Sucesos Argentinos (1938-1972).
self-production
distribution : Groupe Intervention Vidéo
[ pr. perception ]
clip
Pets Watch a Good Workout for Dance (April Annuaire)
4mn11 color stéréo 2013
Canada
by Alain
Lefebvre
& Sonya
Stefan
Lefebvre and Stefan worked together for a year as Annuaire. Initiated in January 2013, Annuaire was a monthly collaboration. Music and video (occasionally film) combine through a panoply of tests and transgressions, triggering short circuits, distortions, glitches, and other happy accidents. “Pets Watch a Good Workout for Dance” was the fourth entry.
self-production
self-distribution
[ pr. space ]
clip
Pleureuse
1mn34 color stéréo 2013
France
by Anaïs
Pélaquier
And his eyes weep blond tears. An eye crying endlessly. The flow of the past. A brilliant waterfall. As a nod also to a certain religious iconography...
self-production
self-distribution
[ pr. identité[02] ]
clip
Réaction
1mn40 color stéréo 2014
France
by Yves-Marie
Mahé
Raped by her husband.
self-production
distribution : Light Cone
[ pr. long ]
clip
ready
4mn10 color stéréo 2015
USA
by Joy
Whalen
In « ready », Skip James sings the blues, "Be Ready When He Comes" as the viewer/performer heads into a spruce forest. The subject presses the picture frame with her physicality as two scenes are fit together. Assuming first person perspective she passes trees, steps over branches. While in the third person, she dancing with steady seriousness in a room alone. These separate parts surge onward, in tandem, determined for motion.
self-production
self-distribution
[ pr. identité[06] ]
clip
Risque de schizophrénie en fin de journée
2mn50 color mono 2014
France
by Mehryl
Levisse
Risk of schizophrenia at the end of the day is a photographic movie, one closed, absurd eight in which the body of the artist interprets all the presented roles showing as a schizophrenia of the artist.
self-production
self-distribution
[ pr. identité[08] ]
clip
Romance sans paroles
4mn17 b/w stéréo 2013
France
by Christophe
Guérin
Deconstruction and reconstruction from a found footage of a swashbuckling movie. Hundreds of images were scanned from film fragments and put together to get a rhythmic composition, “a stream of light energy,” giving a new life to the actors of an obscure forgotten film.
self-production
distribution : Light Cone
[ pr. movement ]
clip
Sans titre n°4 (Papier)
6mn01 b/w sil 2013
France
by Noémie
Lothe
« Without title n°4 » an experimental film accomplished from a peculiar process is. It is constituted of more than a thousand fixed pictures which were then put together and taken up to reconstruct a movement. These fixed pictures are under paper form, more exactly these are photocopies black and white.
self-production
self-distribution
[ pr. perception ]
clip
Sensible
3mn03 color stéréo 2015
France
by Roselyne
Frick M
Cows are animals. Animals are living beings endowed sensitivity. Subject to the laws that protect the animals are subjected to property regime. (Article 515-14 created by Law 2015-177 of February 16, 2015 - s. 2)
self-production
self-distribution
[ pr. perception ]
clip
Sgan-Cohen looks at me looking at him looking at me across the decades
2mn23 color stéréo 2014
USA
by Neil
Needleman
I shot this strand of Super8 movie film circa 1976 in Brooklyn, New York. It features the late Michael Sgan-Cohen, artist, art historian, philosopher, willing viewer of my early experimental films (vimeo.com/neilneedleman), and cheerful participant. Sgan-Cohen was my favorite art history teacher at Brooklyn College. He taught the subject like no other professor at the college—with an extremely deep sense of passion and a strong personal connection to the ideas. When I watch this film (which has become creepier over the decades) I can hear his booming voice and staccato Israeli accent. It should be more than obvious that I thought he had a fascinating face, too. Here's looking at you, Dr. Sgan-Cohen!
self-production
self-distribution
[ pr. time ]
clip
She has the voice of Picasso
1mn25 color & b/w stéréo 2014
USA
by Brice
Bowman
If meaning exists, or meaning specifically in my films exists, I long ago stopped seeking it as well as a need to posses it to decide when a selected grouping of images is a movie. She has the voice of Picasso is a 2014 example of this.
self-production
self-distribution
[ pr. perception ]
clip
Sigma 1967
7mn b/w stéréo 2015
France
by Yves-Marie
Mahé
Experimental and anarchist young generation before May of 68.
self-production
distribution : Light Cone
[ pr. sense ]
clip
Slices of time
2mn20 color stéréo 2015
France
by Bob
Kohn
Filming people without a camera. Compacted, contracted, molded, kneaded, accelerated, multiplied, chained, unchained, exploded, cut up, tortured, ... .. the "Slices of Life" grind up human, to life, to death and to love.
self-production
distribution : HEURE EXQUISE !
[ pr. space ]
clip
Slicing
4mn15 color & b/w stéréo 2015
Serbia
by Milica aka mcm-639
Mijacevic-Carevic
&
rim runner
Assess the influence of mass media on public opinion.
self-production
self-distribution
[ pr. sense ]
clip
Soft Pong Inari
2mn10 color stéréo 2014
Japan
by Michael
Lyons
& Palle
Dahlstedt
A visual experiment in crowd-sourcing, Soft Pong Inari was made entirely from pre-existing photographs of Fushimi Inari Shrine, available for modified re-use in the creative commons. The film explores how multiple viewpoints can converge to a collective sense of place and atmosphere.
self-production
self-distribution
[ pr. movement ]
clip
still can't show u the face
5mn20 b/w stéréo 2014
Poland
by Slawomir
Milewski
...film freely relates to Gilles Deleuze's saying: we are our own genitality.
self-production
self-distribution
[ pr. perception ]
clip
Summer 2014
7mn15 color stéréo 2014
Ukraine
by Oleg
Chorny
How does the REAL WAR sounds? Somewhere in the East of Ukraine. Summer of 2014.
self-production
self-distribution
[ pr. identité[05] ]
clip
Sun is sad
12mn50 color stéréo 2014
France
by Vincent
Pouplard
"Today in Greece, Sun is sad my friend". Words from an Armenian migrant in search of a better life. He founded it. But it's gone now. Mirages of the sun... I spent my days to roam following unknowns whom I observed. I met people, spoke with hands. i discovered Kaïmos.
self-production
self-distribution
[ pr. time ]
clip
Sunrise Memories
7mn10 color mono 2014
Taiwan
by Johannes
Gerard
& Hsin Ying
Tsai
It goes about memories, locations and past situations. How memories shape your identity, a place and the past. The work use a very metaphoric narrative style for the expression of the theme.
self-production
self-distribution
[ pr. space ]
clip
Tall Trees
5mn32 color stéréo 2014
USA
by Salise
Hughes
Based on photographic documents from a 1914 bank robbery in the Pacific Northwest of the United States. The photos are from a scrapbook my father made dedicated to his father Emrys Hughes, a border inspector and member of a posse sent to catch the bandits.
self-production
self-distribution
[ pr. time ]
clip
The Shadow of Your Smile
3mn05 color stéréo 2014
Russia
by Alexei
Dmitriev
The shadow of your smile, when you are gone. A teardrop kissed your lips and so did I.
self-production
self-distribution
[ pr. long ]
clip
The Tin Hat
15mn color & b/w mono 2014
Italy
by Giuseppe
Boccassini
"In every battle it is the eyes that are the first to be subjugated" Tacitus " Germania"
self-production
self-distribution
[ pr. perception ]
clip
Ton poids sur ma nuque
9mn30 color stéréo 2015
France
by Frédéric
Labonde
One morning, I saw a man I’d never seen before, in the building opposite mine.
self-production
self-distribution
[ pr. time ]
clip
Trash-tragedia
18mn45 color & b/w stéréo 2013
France
by Sandrine
Deumier
& Véronique
Binst
I will always love you, dressed in incandescent bullets.
self-production
self-distribution
[ pr. identité[07] ]
clip
Uchronies
2mn19 b/w stéréo 2014
Chile
by Pablo
Molina Guerrero
A big black circle dances upon old porn movies.
self-production
self-distribution
[ pr. long ]
clip
Vers La Flamme
5mn30 color stéréo 2014
USA
by Paul
Turano
Lighting up the morning sky a meteor detonated mid air over Chebarkul, Siberia on February 15, 2013. Existential shockwaves emanating from the explosion caused a momentary chaos, and catalyzed more desperate fears that it was perhaps signaling The End. The music in the work is by Russian composer Scriabin who composed Vers la Flamme — Towards the Flame a few years after the Tunguska event – a devastating explosion from a runaway comet or asteroid, whose impact was equivalent to 10–15 megatons of TNT – had occurred in Siberia in 1908. Hypothetical, but compelling connections between these events inform this work.
self-production
self-distribution
[ pr. long ]
clip
While the unicorn is watching me
7mn46 color & b/w dolby stéréo 2014
France
by Shanti
Masud
By a cold sunday morning, a man wakes up under the mischievous watch of a unicorn straight out of one of his dreams. Worn with a morning sensuality, his fantasies gradually transform his lonely apartment into a garden of delights where this young faun can freely reap the fruits of his desires.
production : local films
self-distribution
[ pr. long ]
clip
Yes or No
6mn09 color & b/w stéréo 2014
France
by Antony
Jacob
In July, 2014: improbable marriage on the Old harbor of Marseille... yes or no
self-production
self-distribution
[ pr. time ]
clip